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Photographic Print : The Landlady's Little Daughter (litho)
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The Landlady's Little Daughter (litho)
8655391 The Landlady's Little Daughter (litho) by Max, Gabriel Cornelius, Ritter von (1840-1915) (after); Private Collection; (add.info.: The Landlady's Little Daughter. Illustration from Kunst Unserer Zeit - Eine Chronik des Modernen Kunstlebens (Franz Hanfstaengl, Munich, c1895).); © Look and Learn
Media ID 38212066
© © Look and Learn / Bridgeman Images
10"x8" Photo Print
Bring a touch of elegance to your space with this charming lithographic print of "The Landlady's Little Daughter" by Gabriel Cornelius Max. Perfect for adding a classic and timeless aesthetic to any room in your home.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Landlady's Little Daughter, captured in this haunting lithograph by Gabriel Cornelius Max, evokes a sense of beauty and sadness that is palpable. The young girl, depicted with delicate features and a mournful expression, sits on the edge of a bed surrounded by furniture that speaks to her privileged upbringing as the daughter of a landowner.
Her mother, presumably the landlady referenced in the title, is absent from the scene but her presence is felt through the atmosphere of mourning that permeates the image. The girl's youth and innocence are juxtaposed with an underlying feeling of loss and sorrow.
Max's masterful use of black and white adds to the emotional depth of the piece, highlighting both lightness and darkness in equal measure. The viewer cannot help but be drawn into this intimate moment between parent and child, where grief is palpable yet beauty still shines through.
As we gaze upon this print from Kunst Unserer Zeit - Eine Chronik des Modernen Kunstlebens, we are reminded of our own connections to family and how deeply intertwined love and loss can be. It is a poignant reminder that even in moments of sadness, there is still beauty to be found.
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