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Photographic Print : Ruins overgrown with vegetation, 1832 (graphite on paper)

Ruins overgrown with vegetation, 1832 (graphite on paper)




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Ruins overgrown with vegetation, 1832 (graphite on paper)

7308287 Ruins overgrown with vegetation, 1832 (graphite on paper) by Rohden, Johann Martin von (1778-1868); 9.4x13.7 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Johann Martin von Rohden (1778-1868)
graphite on off-white laid paper
h x w: sheet 9.4 x 13.7 cm); © Ashmolean Museum

Media ID 28385942

© Ashmolean Museum / Bridgeman Images

Dilapidation Forest Areas Forest Land Forestry Greenery Old Ruin Ruination Ruinous Without Anyone


12"x8" Photo Print

Discover the timeless beauty of history with Media Storehouse's Photographic Prints featuring "Ruins overgrown with vegetation," a captivating 1832 graphite drawing by Johann Martin Rohden from Fine Art Finder. This exquisite piece, held at the Ashmolean Museum, University of Oxford, transports you back in time with its intricate details of ancient ruins reclaimed by nature. Add this masterpiece to your home or office décor and bring a touch of history and artistry into your space.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 30.5cm x 20.3cm (12" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Giovanni Lanfranco

> Fine Art Finder > Artists > Johann Martin von Rohden

> Arts > Artists > R > Johann Martin von Rohden

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Arts > Landscape paintings > Forest and woodland scenes > Landscape paintings

> Arts > Landscape paintings > Forest and woodland scenes > Nature-inspired art

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Realistic drawings > Graphite art > Fine art

> Arts > Realistic drawings > Graphite art > Landscape drawings

> Arts > Realistic drawings > Graphite art > Nature artwork

> Arts > Realistic drawings > Landscape drawings > Fine art


EDITORS COMMENTS
This print, titled "Ruins overgrown with vegetation, 1832" by Johann Martin von Rohden, transports us to a forgotten world where nature has reclaimed its territory. The artist's use of graphite on off-white laid paper adds a sense of timelessness to the scene. In this miniature artwork measuring just 9.4x13.7 cm, we are presented with a hauntingly beautiful landscape filled with dilapidated ruins covered in lush greenery. The intricate details of the vegetation and foliage give life to the abandoned structures, as if they have become one with nature itself. The absence of people in this composition allows us to focus solely on the harmonious relationship between man-made architecture and natural elements. It evokes a sense of mystery and invites us to ponder about the stories that these ruins hold within their walls. Displayed at the Ashmolean Museum in Oxford, UK, this piece from the 19th century showcases von Rohden's mastery in capturing both beauty and decay through his delicate strokes. It serves as a reminder of our transient existence and how nature ultimately reclaims what is rightfully hers. As we gaze upon this mesmerizing image, we are reminded of the power and resilience of nature while also contemplating our own impermanence in comparison.

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