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Photographic Print : Plate 3 from The Rakes Progress at University

Plate 3 from The Rakes Progress at University




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Plate 3 from The Rakes Progress at University

NCO193198 Plate 3 from The Rakes Progress at University, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: parody of series by William Hogarth (1697-1764); ); English, out of copyright

Media ID 23355114

© Bridgeman Images

Academic Chasing College Cowering Dandy Fashionable Dress Gown Master Mortar Board Pet Dog Rake Social Satire


10"x8" Photo Print

Experience the wit and satire of 19th-century British art with our Media Storehouse Photographic Prints. This captivating piece, Plate 3 from The Rakes Progress at University by James Gillray, published by Hannah Humphrey in 1806, showcases Gillray's masterful hand-coloured etching technique. The Rakes Progress is a famous series of eight etchings that chronicles the downfall of Tom Rakewell, a young man who squanders his inheritance on a life of debauchery and vice. This print, set in a university setting, depicts Tom surrounded by drunken students and a professor, further illustrating his reckless behavior. Bring the timeless humor and intrigue of this iconic work into your home or office with our high-quality, museum-grade photographic prints. Each print is meticulously produced using state-of-the-art technology to ensure vibrant colors and exceptional detail, making it a must-have for art enthusiasts and collectors alike.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 25.4cm x 17.9cm (10" x 7")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Schools, Colleges & Education

> Arts > Artists > G > James Gillray

> Arts > Artists > H > William Hogarth

> Arts > Artists > J > William James

> Arts > Artists > William Hogarth

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Art > William Hogarth

> Popular Themes > Universities and Colleges

> Popular Themes > William Hogarth


Plate 3 from The Rakes Progress at University - A Satirical Snapshot of Academic Chaos

EDITORS COMMENTS
. In this hand-colored etching, James Gillray takes a mischievous jab at the follies and vices of university life in early 19th-century England. Plate 3 from The Rakes Progress at University, published by Hannah Humphrey in 1806, is a brilliant parody inspired by William Hogarth's renowned series. The scene unfolds within the hallowed halls of academia, where chaos reigns supreme. A spoiled youth clad in fashionable attire brandishes a broom as he chases his pet dog through the corridors. His mortar board sits askew on his head, symbolizing his disregard for scholarly pursuits. Meanwhile, an exasperated teacher cowers before the unruly cad who breaks every rule with impunity. Dressed in a master's gown and clutching a cane, he futilely attempts to restore order amidst this satirical spectacle. Gillray's sharp wit shines through as he captures the essence of societal decadence and intellectual apathy prevalent among privileged students during that era. Through exaggerated caricatures and meticulous engraving techniques, he exposes their foppish demeanor and disdain for academic discipline. This print offers us an amusing glimpse into an era when education was often overshadowed by hedonistic pursuits and social status. It serves as both a cautionary tale and social commentary on the consequences of indulgence without responsibility. Courtesy of New College Oxford's collection, this

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