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Photographic Print : Pumping the fecula into boilers, 1877 (albumen silver print)

Pumping the fecula into boilers, 1877 (albumen silver print)




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Pumping the fecula into boilers, 1877 (albumen silver print)

3617942 Pumping the fecula into boilers, 1877 (albumen silver print) by Mallitte, Oscar Jean Baptiste (c.1829-1905); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Plate 14 from The Planting & Manufacture of Indigo in India 29 Photographic views, Allahabad 1877
)

Media ID 25159776

© Bridgeman Images

Allahabad Attar Pradesh Behar Bihar British Empire British Imperialism Concentrated Crop Cultivation Indigo Langot Liquid Loincloth Manufacture Oscar Mallitte Plantation Planting


10"x8" Photo Print

Step back in time with our exclusive Media Storehouse Photographic Print of "Pumping the Fecula into Boilers, 1877" by Oscar Jean Baptiste Mallitte from Fine Art Finder. This captivating albumen silver print, housed at the J. Paul Getty Museum, offers a unique glimpse into the industrial past. Witness the intricate process of pumping waste material into boilers as documented by Mallitte's masterful lens. Add this historical piece to your collection and bring the charm of the 19th century into your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 18.5cm x 25.4cm (7.3" x 10")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Oscar Jean Baptiste Mallitte

> Architecture > Industrial

> Asia > India > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This photograph, titled "Pumping the fecula into boilers, 1877" takes us back in time to witness a significant moment in India's colonial history. The image, captured by Oscar Jean Baptiste Mallitte, showcases the bustling activity within an indigo factory during the British Empire era. In this scene, we see a group of native workers diligently engaged in their laborious task. Clad in traditional loincloths, they are seen pumping liquid fecula into large boilers with focused determination. Their presence reflects both the impact of British imperialism and the reliance on local manpower for industrial growth. The composition is rich with details that highlight various aspects of colonialism and agriculture. The concentrated dye being pumped represents India's vital role as a supplier of indigo to meet the demands of British industry. The plantation setting signifies how land was cultivated under imperial rule for economic gain. Mallitte's photographic expertise allows us to observe this historical moment from a unique perspective. His lens captures not only the physical work but also conveys a sense of pride and resilience among these workers who played an essential role in sustaining Britain's indigo industry. As we gaze upon this albumen silver print from 1877, we are transported back to an era where commerce intertwined with culture and power dynamics shaped entire nations. It serves as a reminder of how photography can immortalize moments that shape our understanding of history today.

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