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Photographic Print : The Field of Battersea, 1829 (colour etching)
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The Field of Battersea, 1829 (colour etching)
XCF290965 The Field of Battersea, 1829 (colour etching) by English School, (19th century); Private Collection; (add.info.: duel between the Prime Minister the Duke of Wellington and the Earl of Winchilsea, 21st March 1829, over the issue of the emancipation of Irish Catholics; Wellington deliberately shot wide, Winchilsea shot in the air before offering the Duke a written apology; ); English, out of copyright
Media ID 12813201
© www.bridgemanart.com
Duelling Equality Iron Duke London University Miss Missed Onlookers Oppression Pistol Pistols Roman Catholicism Shot Tories Tory Winchelsea Lobster Claw
11"x8.5" Photo Print
Experience the captivating beauty of the past with Media Storehouse's exquisite range of Photographic Prints. This stunning offering showcases "The Field of Battersea, 1829 (colour etching)" by the English School, a mesmerizing work from the 19th century. Originally a private collection piece, now available for you to bring home, this vibrant and intricately detailed colour etching transports you to a time long past. The rich tones and textures of this Fine Art Finder find are expertly captured in our high-quality prints, ensuring a timeless addition to your home or office décor. Elevate your space with a piece of history and artistry from Media Storehouse.
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Estimated Image Size (if not cropped) is 27.9cm x 19.2cm (11" x 7.6")
Estimated Product Size is 27.9cm x 21.6cm (11" x 8.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Field of Battersea, 1829 - A Satirical Duel for Equality
EDITORS COMMENTS
. This print captures a significant moment in British history - the infamous duel that took place on March 21st, 1829, between the Prime Minister, the Duke of Wellington, and the Earl of Winchilsea. The duel was sparked by a heated disagreement over the emancipation of Irish Catholics. In this colorful etching, we see an array of onlookers gathered at Battersea Fields to witness this historic event. The English School artist skillfully portrays the tension and satire surrounding this political clash. With pistols drawn and poised for action, both politicians stand ready to defend their beliefs. However, it is clear that Wellington has chosen a different path. Deliberately shooting wide with his pistol aimed away from Winchilsea's direction demonstrates his reluctance to engage in violence. In contrast, Winchilsea fires into the air before offering a written apology to the Duke. The scene is filled with humorous details such as lobster claw-like hands symbolizing oppression and references to Roman Catholicism. It serves as a satirical commentary on political power struggles and highlights issues of equality during that time. This thought-provoking artwork not only showcases historical figures but also sheds light on societal tensions surrounding religious freedom and political ideologies in early 19th-century Britain. It serves as a reminder that even amidst fierce debates and conflicts, there can be room for reconciliation and understanding.
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