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Photographic Print : The bruising match, 1730

The bruising match, 1730




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The bruising match, 1730

The bruising match, 1730. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917294

© The Print Collector / Heritage-Images

Aggression Aggressive Agression Boxer Boxing Emily Morse Emily Morse Symonds Fight George Paston Heemskerck Match Paston Pugilism Pugilist Referee Symonds Van Heemskerck Bruising


10"x8" Photo Print

Experience the intriguing history of the 18th century with our exclusive Media Storehouse Photographic Print of "The Bruising Match, 1730" by Unknown, George Paston, and Van Heemskerck. This captivating illustration is taken from the renowned book "Social Caricature in the Eighteenth Century" and offers a fascinating glimpse into the past. Add this masterpiece to your collection and bring the stories of yesteryears to life in your home or office. With its high-quality print, vibrant colors, and intricate details, this print is a must-have for history enthusiasts and art lovers alike. Order now and let the intrigue unfold!

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Sport > Boxing


The Bruising Match, 1730 - A Glimpse into the Aggressive World of 18th Century Boxing

EDITORS COMMENTS
. This print takes us back to a bruising match that unfolded in Britain during the year 1730. The image, captured by an unknown creator and later illustrated by George Paston (the pseudonym of Emily Morse Symonds), offers a fascinating glimpse into the aggressive sport of boxing in the eighteenth century. In this intense scene, we witness two male pugilists engaged in a fierce battle within a makeshift ring. Their muscular bodies glisten with sweat as they exchange powerful blows, showcasing their strength and determination. The referee watches closely, ready to intervene if necessary. The monochrome composition enhances the rawness and intensity of the fight, emphasizing every bruise and mark on their faces. It transports us to an era where physical combat was not only accepted but celebrated as a test of manhood and skill. As we observe this historical moment frozen in time, we are reminded of the concept of aggression deeply embedded in human nature throughout centuries. This print serves as both an artistic representation and documentation of one such brutal encounter from long ago. With over two hundred illustrations by George Paston included in Social Caricature in the Eighteenth Century. . . With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds), this particular piece stands out for its depiction of unyielding determination amidst chaos—a testament to our enduring fascination

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