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Photographic Print : HarlePere, published in La Caricature no. 136, June 5, 1833, June 5, 1833

HarlePere, published in La Caricature no. 136, June 5, 1833, June 5, 1833




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HarlePere, published in La Caricature no. 136, June 5, 1833, June 5, 1833

Harle Pere, published in La Caricature no. 136, June 5, 1833, June 5, 1833

Heritage Images features heritage image collections

Media ID 20570043

© Heritage Art/Heritage Images

Becquet Benard Daumier Daumier Honore Daumier Honore Victorin Dripping Glasses H Daumier Handkerchief Honore Honore Daumier Honore Victorin Honore Victorin Daumier Jean Marie Nose Overweight Spectacles Tablecloth Unhygienic


10"x8" Photo Print

Step back in time with our exquisite Media Storehouse Photographic Print of Harle Pere, a masterpiece by renowned French artist Honore Daumier. Originally published in La Caricature no. 136 on June 5, 1833, this iconic image showcases Daumier's exceptional satirical skills. Harle Pere, a character from the commedia dell'arte tradition, is depicted in this print with a witty and thought-provoking commentary on the social and political climate of the time. Each print is meticulously produced using the highest quality materials, ensuring a stunning and vibrant representation of this historical artwork. Add this unique piece to your collection and bring a piece of art history into your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > D > Honore Daumier

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
The black and white lithograph titled "HarlePere" captures the essence of 19th-century French politics with a touch of satire. Created by Honore Daumier and published in La Caricature no. 136 on June 5,1833, this caricature portrays a prominent politician named Harle Pere. In the image, Harle Pere is depicted as an overweight man dressed in a suit that seems to be dripping with excess food. His large nose dominates his face, while spectacles rest upon his round cheeks. With a handkerchief in one hand and glasses in the other, he exudes an air of unhygienic habits. Sitting at a table covered with a tablecloth adorned with political symbols, Harle Pere represents the corruption and gluttony prevalent among politicians during that era. The artist's attention to detail highlights every aspect of this character's appearance: from his disheveled hair to his protruding belly. Daumier's skillful use of caricature aims to criticize not only Harle Pere but also the entire political system he represents. Through humor and exaggeration, Daumier exposes the flaws within French politics at that time. Today, this lithograph can be found at The Metropolitan Museum of Art as part of their heritage art collection. It serves as both a historical document reflecting societal issues during the 19th century and an artistic masterpiece showcasing Daumier's talent for capturing human nature through satirical illustrations.

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