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Photographic Print : Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count... 1821. Creator: Domenico Quaglio II

Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count... 1821. Creator: Domenico Quaglio II




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Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count... 1821. Creator: Domenico Quaglio II

Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count Palatine Siegfried in the Mosel Valley near Andernach, from Collection of Memorable Medieval Buildings in Germany, 1821

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Media ID 36210684

© Heritage Art/Heritage Images

Alter Arches Beige Church Of Our Lady Domenico Quaglio Ii Domenico Quaglio The Younger Frauenkirche Genevieve Saint Genevieve St Mosel Moselle Quaglio Domenico Saint Genevieve St Genevieve St Genevieve Of Nanterre Tinted Tombstone Wove Paper Archway Lithotint Santo


10"x8" Photo Print

Step back in time with our exquisite print from the Media Storehouse collection, featuring the hauntingly beautiful Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count Palatine Siegfried. This captivating image, created by the renowned artist Domenico Quaglio II in 1821, transports you to the Mosel Valley near Andernach in Germany. Each detail, from the intricately carved tombstones to the crumbling church walls, is brought to life in stunning detail. A must-have for history buffs, art enthusiasts, or anyone seeking a touch of the past in their home decor.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > Germany

> Architecture > Drawings

> Architecture > Religious

> Arts > Art Movements > Medieval Art

> Arts > Artists > Q > Domenico II Quaglio

> Historic > Medieval architecture > Cathedrals and churches

> Historic > Medieval architecture

> Religious Art > Religious Architecture > Churches and Cathedrals

> Religious Art > Religious Architecture


EDITORS COMMENTS
This evocative lithograph by Domenico Quaglio II, titled "Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count Palatine Siegfried in the Mosel Valley near Andernach," transports us back in time to the 19th century and the historic town of Andernach in Rhineland-Palatinate, Germany. The image, from Quaglio's collection of "Memorable Medieval Buildings in Germany," published in 1821, showcases the ruins of the Church of Our Lady, a once grand edifice of Christianity now reduced to a hauntingly beautiful remnant. The arches and columns, draped in ivy, stand as silent witnesses to the passage of time. At the center of the image, two tombstones, one bearing the effigy of a woman, Saint Genevieve, and the other of a man, Count Palatine Siegfried, are nestled within the ruins. The contrast between the delicate, intricate details of the tombstones and the crumbling architecture around them adds to the poignant beauty of the scene. The monochromatic palette of black and beige tones further emphasizes the somber and contemplative mood of the image. Quaglio's masterful use of lithography, a technique that involves drawing on a limestone plate and then transferring the image onto paper using water and ink, creates a stunning, intricate depiction of this historic site. The image invites us to reflect on the transience of human life and the enduring power of art and history to evoke emotion and inspire wonder.

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