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Photographic Print : Cartoon, The Protection Giant
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Cartoon, The Protection Giant
Cartoon, The Protection Giant -- Fee, Fi, Fo, Fum! I smell the Blood of an Englishman; Be he Alive, or be he Dead, I ll grind his Bones to make my Bread. Lord Derby as Conservative Prime Minister and Benjamin Disraeli as Chancellor of the Exchequer are satirically depicted as supporters of Protectionism, thanks to their lack of clear support for Free Trade after the repeal of the Corn Laws. As a result of their ambiguous attitude, the Anti-Corn-Law League had been revived in Manchester, represented by the small man on the right.
1852
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Media ID 23275814
© Mary Evans Picture Library
1850s 1852 Ambiguous Benjamin Bread Chancellor Comment Conservative Corn Derby Disraeli Exchequer Free Giant Headed Heads Laws Minister Monster Parliament Prime Protection Protectionism Repeal Satire Satirical Support Supporters Symbolic Tory
10"x8" Photo Print
Introducing the captivating Cartoon, The Protection Giant from the extensive Media Storehouse collection of Photographic Prints, brought to you in collaboration with Mary Evans Picture Library from Mary Evans Prints Online. This iconic cartoon, featuring the menacing figure of "Fee, Fi, Fo, Fum!" with the chilling line, "I smell the Blood of an Englishman; Be he Alive, or be he Dead, I'll grind his Bones to make my Bread," is a captivating addition to any space. With its intricate detail and bold, dynamic composition, this print is sure to evoke a sense of nostalgia and wonder. Add a touch of history and whimsy to your home or office decor with this unique and fascinating piece from Media Storehouse.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 18.2cm x 25.4cm (7.2" x 10")
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This satirical cartoon, titled "The Protection Giant" or "Fee, Fi, Fo, Fum! I smell the Blood of an Englishman; Be he Alive, or be he Dead, I'll grind his Bones to make my Bread," was published in 1852 during the 1850s in Victorian Britain. The cartoon satirically depicts the political climate surrounding the ambiguous stance of Conservative Prime Minister, Lord Derby (left), and Chancellor of the Exchequer, Benjamin Disraeli (right), towards Free Trade after the repeal of the Corn Laws. The Protection Giant, a big, fat monster with the heads of Lord Derby and Disraeli, symbolizes their support for Protectionism. The giant's club represents the protectionist policies they were advocating for, which threatened to grind the economy to a halt. The small man on the right, representing the Anti-Corn-Law League, is shown trying to revive the league in Manchester in response to the protectionist policies. The cartoon's title is a reference to the classic children's story "Jack and the Beanstalk," where the giant cries out, "Fee, Fi, Fo, Fum! I smell the Blood of an Englishman; Be he alive, or be he dead, I'll grind his bones to make my bread." This line highlights the destructive and ravenous nature of the Protectionist policies, which threatened to consume the economy. The cartoon's commentary on the political climate of the time is both symbolic and humorous, using satire to highlight the potential consequences of protectionist policies. The cartoon serves as a reminder of the ongoing debates and tensions surrounding economic policies during the 19th century in Britain.
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