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Photographic Print : CECIL RHODES / SOURIRE 00

CECIL RHODES  /  SOURIRE 00




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CECIL RHODES / SOURIRE 00

A perfidious John Bull in league with Jack the Ripper - this is the true nature of England. Satire on Cecil Rhodes and Chamberlain at the time of the Entente Cordiale. Date: 1853 - 1902

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 20143183

© Bubblepunk

1853 Bull Caricatures Cecil Chamberlain Cordiale Entente Jack League Rhodes Ripper Satire True 1902 Sourire


10"x8" Photo Print

Introducing the captivating 'CECIL RHODES / SOURIRE 00' photograph from our Media Storehouse collection at Mary Evans Prints Online. This satirical image, dating back to the late 19th century, presents a thought-provoking commentary on the infamous figures of Cecil Rhodes and Joseph Chamberlain during the time of the Entente Cordiale. Witness the intriguing interplay between Rhodes and an ominous figure reminiscent of Jack the Ripper, as they conspire under the guise of 'John Bull'. Delve into this intriguing piece of historical satire and add a unique conversation starter to your home or office decor. Order your print today and bring a piece of history into your space.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Mary Evans Prints Online > New Images July 2020

> Arts > Literature > Magazines

> Europe > United Kingdom > England > Posters


EDITORS COMMENTS
This satirical print, titled "Sourire 00: A perfidious John Bull in league with Jack the Ripper - this is the true nature of England," depicts two infamous figures of British imperial history: Cecil Rhodes and Joseph Chamberlain. The image, published between 1853 and 1902, appears on the front cover of a magazine or newspaper, with the Union Jack prominently displayed. Rhodes, portrayed as a cunning and deceitful "John Bull," is shown shaking hands with Jack the Ripper, symbolizing the darker side of English colonialism and expansionism. The caption "this is the true nature of England" underscores the satirical intent, as it challenges the public's perception of the British Empire and its leaders. At the time of this print, Rhodes was a prominent businessman and politician in southern Africa, known for his expansionist policies and the establishment of the De Beers diamond company. Chamberlain, on the other hand, was a British statesman and colonial administrator, who played a significant role in the formation of the Entente Cordiale between Britain and France in 1904. The Entente Cordiale marked a turning point in Anglo-French relations, as it ended decades of hostility and paved the way for cooperation in Africa and the Middle East. However, this satirical print suggests that the true nature of England's involvement in these regions was far from cordial, and that the pursuit of power and wealth came at the expense of human lives and dignity. The use of Jack the Ripper as a symbol of British brutality and violence adds an extra layer of meaning to the image, as it references one of the most notorious serial killers in history and highlights the darker aspects of English society. Overall, this print serves as a powerful reminder of the complex and often controversial role that Britain played in global affairs during the late 19th and early 20th centuries.

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