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Pillow : The Political Caricature (1830), Satirical in N & B, 1832_11_22: Diabolic Scene - Religion - Devil, Talleyrand - Illustration by W.B
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The Political Caricature (1830), Satirical in N & B, 1832_11_22: Diabolic Scene - Religion - Devil, Talleyrand - Illustration by W.B
ICA4930946 The Political Caricature (1830), Satirical in N & B, 1832_11_22: Diabolic Scene - Religion - Devil, Talleyrand - Illustration by W.B.; (add.info.: The Political Caricature (1830), Satirical in N & B, 1832_11_22: Diabolic Scene - Religion - Devil, Talleyrand - Illustration by W.B.); Photo © Caricadoc
Media ID 38272886
© © Caricadoc / Bridgeman Images
Devil Eveque Good Against Evil Hypnosis Caricadoc Religious Role
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Political Caricature (1830) captures a diabolic scene filled with satire and symbolism, depicting the eternal struggle between good and evil. In this black and white illustration from 1832, we see a devilish figure looming over a religious clergyman, symbolizing the corrupting influence of power on those in positions of authority.
The central figure in the caricature is Talleyrand, a prominent French statesman known for his cunning political maneuvers. His presence in this sinister tableau suggests a commentary on the hypocrisy and deceit often associated with figures of influence.
Religion plays a significant role in this composition, as the devil appears to be tempting or manipulating the clergyman, highlighting themes of temptation and moral corruption within organized religion. The use of hypnosis adds an eerie element to the scene, emphasizing how easily individuals can be swayed by malevolent forces.
Overall, this satirical engraving serves as a powerful critique of political and religious institutions during the tumultuous period of 19th century France. Through clever visual storytelling and intricate details, artist W.B invites viewers to reflect on themes of power dynamics, morality, and human nature that continue to resonate today.
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