Pillow : "The Latest from the Soudan", an Art Critic (engraving)

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"The Latest from the Soudan", an Art Critic (engraving)

1042091 " The Latest from the Soudan", an Art Critic (engraving) by Renouard, Charles Paul (1845-1924) (after); Private Collection; (add.info.: " The Latest from the Soudan", an Art Critic. Illustration for The Graphic, 18 April 1896.); Look and Learn / Illustrated Papers Collection; French, out of copyright

Media ID 23545644

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Art Critic Latest Policemen Soudan Torches

18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Charles Paul Renouard

> Arts > Artists > R > Paul Renouard

EDITORS COMMENTS
captures a moment of intrigue and curiosity in the art world. This engraving by Charles Paul Renouard depicts an art critic immersed in his thoughts, surrounded by a bustling street scene illuminated by torchlight. The year is 1896, and this illustration was originally published in The Graphic. The art critic stands tall, engrossed in examining a piece of artwork held up for his scrutiny. His discerning gaze suggests that he holds great influence over public opinion on matters of artistic merit. Policemen stand nearby, their presence perhaps indicating the importance and significance attached to this particular critique. Amidst the lively atmosphere, cats roam freely as silent observers, adding an air of mystery to the scene. Their feline grace seems to mirror the critic's own meticulous nature as he dissects each stroke and brushstroke with precision. This print transports us back to a time when art criticism held immense power and sway over society's perception of beauty and creativity. It reminds us that even then, artists sought validation from critics who could make or break their careers with just a few well-chosen words. "The Latest from the Soudan" invites us into this historical moment where passion for art intersects with societal expectations and cultural trends. It serves as both a window into our past and an enduring reminder of how influential opinions can shape our understanding of artistic expression.

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