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Pillow : Meal brings to the Monkey Man (Monkey Man), a young man from Budapest (Romania) chained considers as a fair monster. Engraving. One of "The Little Journal Illustrates", 1927. Private collection
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Meal brings to the Monkey Man (Monkey Man), a young man from Budapest (Romania) chained considers as a fair monster. Engraving. One of "The Little Journal Illustrates", 1927. Private collection
XEE4183674 Meal brings to the Monkey Man (Monkey Man), a young man from Budapest (Romania) chained considers as a fair monster. Engraving. One of " The Little Journal Illustrates", 1927. Private collection. by Anonymous; Private Collection; (add.info.: Meal brings to the Monkey Man (Monkey Man), a young man from Budapest (Romania) chained considers as a fair monster. Engraving. One of " The Little Journal Illustrates", 1927. Private collection.); Stefano Bianchetti
Media ID 25897814
© Stefano Bianchetti / Bridgeman Images
Abuse Chain Cruelty Fabulous Animal Fantastic Animal Fantastic Creature Fictional Characters Malformation Monstrous Character Monstruous Romania Romanian Romanians Roumania Wonderful Character A Journal Fictional Character Monster
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Meal brings to the Monkey Man (Monkey Man), a young man from Budapest (Romania) chained considers as a fair monster" is an engraving featured in "The Little Journal Illustrates" from 1927. This intriguing piece of art, part of a private collection, showcases the work of an anonymous artist. In this thought-provoking image, we see the Monkey Man, a young man hailing from Budapest and Romania. He is depicted as being chained and viewed by society as a fair monster due to his physical appearance. The engraving evokes feelings of both fascination and empathy towards this extraordinary individual. The artist skillfully captures the essence of cruelty and abuse that the Monkey Man endures through his portrayal. The chains symbolize not only his physical restraint but also the societal constraints placed upon him because of his malformation. This artwork transports us back to early 20th-century Europe, where such fantastical creatures were often portrayed in various forms of media. The fictional character created here is both monstrous and wonderful at once, challenging our perceptions and understanding of what it means to be human. Through this powerful image, we are reminded of the resilience and strength displayed by individuals who have been marginalized throughout history. It serves as a poignant reminder that appearances can be deceiving and that true beauty lies within one's spirit rather than their outward appearance. Overall, Stefano Bianchetti's engraving invites us into a world where reality blurs with fiction, urging us to question our own prejudices while appreciating the complexity and diversity found within humanity itself.
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