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Georgetown, Guyana, from Le Costume Ancien et Moderne, Volume II, plate 33
STC109022 Georgetown, Guyana, from Le Costume Ancien et Moderne, Volume II, plate 33, by Jules Ferrario, published c.1820s-30s (colour litho) by Fumagalli, Paolo (19th century); Private Collection; (add.info.: known as Stabroek when Dutch controlled region, renamed by British in 1812; ); The Stapleton Collection; Italian, out of copyright
Media ID 23369744
© The Stapleton Collection / Bridgeman Images
Capital City Colonial Architecture Giulio Spire
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the picturesque cityscape of Georgetown, Guyana, as depicted in Jules Ferrario's renowned work "Le Costume Ancien et Moderne". Taken from Volume II, plate 33, this color lithograph was published in the early 19th century by Paolo Fumagalli. Georgetown, formerly known as Stabroek during Dutch rule and renamed by the British in 1812, is beautifully captured with its colonial architecture and numerous churches. The image highlights a prominent church with an elegant dome and spire that dominates the skyline. This capital city's rich history and cultural heritage are evident through its architectural marvels. Situated along the coast of South America, Georgetown enjoys a stunning coastal view showcased in this print. The shoreline stretches gracefully towards the sea, creating a maritime ambiance that adds to the charm of this vibrant city. The print offers viewers a glimpse into Guyana's past while celebrating its unique blend of European influences and South American beauty. It serves as a testament to Giulio Fumagalli's artistic talent and his ability to capture not just physical landscapes but also historical significance. Displayed within private collections today, this remarkable piece invites us to appreciate both the artistry behind it and the enchanting allure of Georgetown itself.
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