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Pillow : Faith, 1867 (stained glass)
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Faith, 1867 (stained glass)
3474855 Faith, 1867 (stained glass) by Burne-Jones, Edward Coley (1833-98); The Old West Kirk, Greenock, Uk; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co); eAlastair Carew-Cox; English, out of copyright
Media ID 23150982
© Alastair Carew-Cox / Bridgeman Images
Apples Bright Cardinal Virtue Chalice Church Window Dragon Goblet Gothic Revival Gothick Neo Gothic Orchard Personification Pomegranate Pomegranates Spirituality Stained Glass Window Victorian Gothic Virtue Ecclesiastical Pre Raphaelite
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stained glass window, titled "Faith, 1867" transports us back to the Victorian era with its intricate details and vibrant colors. Created by the renowned artist Edward Coley Burne-Jones in collaboration with Morris, Marshall, Faulkner & Co. , this masterpiece adorns The Old West Kirk in Greenock, UK. The scene depicted in this neo-gothic artwork is filled with symbolism and allegory. A woman stands at the center of the composition, representing Faith herself. Clutching a Bible close to her heart, she exudes spirituality and virtue. Surrounding her are elements that further enhance the religious theme - a dragon symbolizing evil defeated through faith, an orchard abundant with apples and pomegranates signifying biblical references to knowledge and temptation. The attention to detail is remarkable; every element has been meticulously crafted from colorful shards of glass. The play of light passing through these fragments creates a mesmerizing effect that adds depth and life to the artwork. Burne-Jones' work is deeply rooted in Pre-Raphaelite aesthetics – bright colors, botanical motifs inspired by natural history studies – all contributing to its distinctive Victorian Gothic style. As we gaze upon this stunning piece of art captured beautifully by Alastair Carew-Cox's lens, we can't help but be transported into a world where faith intertwines with beauty and spirituality reigns supreme.
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