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Portrait of a lady said to be Lady Williams, c. 1638-80 (oil on canvas)
7240781 Portrait of a lady said to be Lady Williams, c.1638-80 (oil on canvas) by Lely, Peter (1618-80); 75x62.2 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Half length portarrit, the sitter wearing blue dress with her hands clasped across her breast, possibly Margaret, Lady Williams wife of Sir William Williams
Sir Peter Lely (1618-1680)); Trustees of the Weston Park Foundation
Media ID 24912464
© Trustees of the Weston Park Foundation / Bridgeman Images
Oil On Cnvas Oil Painting On Wood Oil Paintings Oil Paints Portait Portriat The Woman
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Portrait of a lady said to be Lady Williams" is a stunning example of Sir Peter Lely's mastery in capturing the essence and beauty of his subjects. Painted between 1638-1680, this oil on canvas artwork measures 75x62.2 cm and belongs to The Weston Park Foundation in Shropshire, UK. The unidentified lady depicted in the painting wears an elegant blue dress that accentuates her grace and sophistication. Her hands are delicately clasped across her breast, exuding a sense of poise and dignity. Speculation suggests that she may be Margaret, Lady Williams, wife of Sir William Williams. Lely's attention to detail is evident in every brushstroke; he expertly captures the intricate folds of fabric and the subtle play of light on the subject's face. The composition draws viewers into an intimate encounter with this mysterious woman from centuries past. The vibrant colors used by Lely bring life to the canvas, enhancing both the sitter's presence and our connection with her story. This portrait serves as a testament to Lely's skill as one of England's most celebrated portrait painters during the seventeenth century. As we gaze upon this remarkable piece, we are transported back in time, given a glimpse into an era long gone but forever preserved through art. It reminds us that even after all these years, beauty continues to transcend time and captivate our hearts.
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