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Pillow : The New Imperialism. American cartoon, 1951, by D. R. Fitzpatrick on the growing empire of Joseph Stalins Soviet Union
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The New Imperialism. American cartoon, 1951, by D. R. Fitzpatrick on the growing empire of Joseph Stalins Soviet Union
RUSSIA: IMPERIALISM, 1951.
The New Imperialism. American cartoon, 1951, by D.R. Fitzpatrick on the growing empire of Joseph Stalins Soviet Union
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7793987
1951 Anti Colonialism Bolshevik Bulgaria China Cold War Colonialism Czechoslovakia Daniel Dictator Fitzpatrick Hungary Joseph Lithuania Movement Poland Political Acts Red Scare Robe Robert Russian Sickle Stalin Tibet Uss R World East Germany Estonia Iron Curtain Latvia
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The New Imperialism - A Critical Depiction of Joseph Stalin's Soviet Union
EDITORS COMMENTS
. This thought-provoking photo print, created by D. R. Fitzpatrick in 1951, captures the essence of the growing empire under Joseph Stalin's rule in the Soviet Union. The cartoon serves as a powerful commentary on the concept of imperialism and its impact on various nations. In this artwork, Fitzpatrick skillfully portrays a map depicting countries such as China, Hungary, Poland, Tibet, Bulgaria, Czechoslovakia, Latvia, Estonia, Lithuania - all falling under the influence of Stalin's regime. The use of symbols like sickle and robe represents communism and dictatorship respectively. The image sheds light on how post-World War II political acts led to an expansionist agenda for the USSR during the height of the Cold War era. It also highlights fears surrounding anti-colonialism movements and their potential consequences. Fitzpatrick's work is not only historically significant but also relevant today as it reminds us about past events that shaped our world. It prompts viewers to reflect upon issues related to power dynamics between nations and raises questions about imperialism in different forms. As we examine this piece closely amidst current geopolitical developments globally, it serves as a reminder that history often repeats itself if we fail to learn from it.
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