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Pillow : The Adoration of the Christ Child, c. 1490. Creator: Vincenzo Frediani
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The Adoration of the Christ Child, c. 1490. Creator: Vincenzo Frediani
The Adoration of the Christ Child, c. 1490
Heritage Images features heritage image collections
Media ID 24037884
© Heritage Art/Heritage Images
Adoration Hand Gestures In Prayer Nativity Painting And Sculpture Of Europe Prayer Praying Tempera On Panel Worship Worshipper Worshippers Worshipping Infancy Infant Posture
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Vincenzo Frediani's masterpiece, "The Adoration of the Christ Child" created around 1490. Set in the fifteenth century, this artwork beautifully captures the essence of adoration and devotion within Christianity. In this scene, we witness a tender moment as worshippers gather to pay homage to baby Jesus. The vibrant colors and intricate details bring life to each character present in the painting. The artist's skillful use of tempera on panel adds depth and richness to every stroke. At the center of attention is Mary, the Virgin Mother, kneeling in prayer with an expression of pure love and reverence for her divine child. Surrounding her are various individuals from different walks of life - men, women, children - all united by their shared faith. The gestures portrayed by these worshippers convey their deep sense of spirituality and connection with Christ. Each hand gesture speaks volumes about their individual experiences with religion and personal relationship with God. "The Adoration of the Christ Child" not only celebrates motherhood but also emphasizes family values and religious devotion that transcends time and place. It serves as a testament to Italy's rich artistic heritage during this period. As we gaze upon this remarkable piece at the Art Institute Chicago or any art gallery fortunate enough to house it, we cannot help but be moved by its profound beauty and timeless message: worshipper or not; it invites us all into a world where love for one another is paramount – a world illuminated by faith.
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