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Pillow : Edwards pretty new toy, 1897. Creator: John Leech
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Edwards pretty new toy, 1897. Creator: John Leech
Edwards pretty new toy, 1897. Prince Edward plays with his crown. (Edward (1537-1553) ruled as King Edward VI from 1547 until his death aged 15). From " The Comic History of England" by Gilbert Abbott A Beckett, with satirical illustrations by John Leech. [Bradbury, Agnew & Co, London, 1897]
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Media ID 18324732
© The Print Collector/Heritage Images
A Beckett Beckett Cradle Delight Delighted Edward Edward Vi G A Gilbert Abbott Ga Gilbert Abbott Gilbert A Beckett Gilbert Abbott Gilbert Abbott A Gilbert Abbott A Beckett Happiness Happy Heir John Leech King Edward Vi King Of England Leech Prince Of Wales The Comic History Of England Toys Tudor
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Edward's Pretty New Toy, 1897 - A Delightful Glimpse into the Playful World of Prince Edward VI
EDITORS COMMENTS
. In this print from 1897, we witness a charming moment in history as Prince Edward VI, the young heir to the English throne, playfully engages with his crown. Created by renowned satirical illustrator John Leech for "The Comic History of England" by Gilbert Abbott A Beckett, this image offers a unique blend of humor and historical significance. Set against the backdrop of sixteenth-century Britain, Leech masterfully captures the innocence and joy that childhood brings. The monochrome setting adds an air of nostalgia to this nineteenth-century artwork while highlighting its timeless appeal. As we observe Prince Edward cradling his toy crown with sheer delight on his face, we are reminded that even those destined for greatness find happiness in simple pleasures. This snapshot into royal family life showcases not only Edward's playful nature but also reflects the love and warmth within their household. With meticulous attention to detail, Leech transports us back in time to witness a precious moment between father and son. Through this print, we gain insight into both Tudor-era traditions and Victorian sensibilities surrounding childhood play. This remarkable piece serves as a reminder that beneath all regal pomp lies human emotion—happiness knows no boundaries when it comes to children at play. It is through such artistic treasures that our connection with history remains alive—a testament to the enduring power of art across centuries.
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