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Pillow : Fall of Antiochus From His Chariot, 18th century. 18th century

Fall of Antiochus From His Chariot, 18th century. 18th century




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Fall of Antiochus From His Chariot, 18th century. 18th century

Fall of Antiochus From His Chariot, 18th century

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Media ID 20289188

© Heritage Art/Heritage Images

Accident Chariot Divine Retribution Halle Illness Incident Noel Retribution Seleucid Syria Syrian Antiochus Iv Epiphanes Epiphanes Maccabees Noël Hallé


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Noel Halle

> Arts > Artists > S > Syrian Syrian

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > Syria > Related Images

> Europe > France > Royalty

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Fall of Antiochus From His Chariot - A Glimpse into Divine Retribution in 18th Century Syria

EDITORS COMMENTS
. This photo print, captured by Noel Halle in the 18th century, depicts a significant incident from ancient history - the fall of Antiochus IV Epiphanes from his chariot. The image showcases an etching in red ink, adding a touch of color to this monochrome masterpiece. Antiochus IV Epiphanes, a powerful monarch and ruler of the Seleucid Empire, met with divine retribution on a fateful day. As he rode triumphantly through the country roads of Syria, fate intervened and caused him to be thrown off his majestic chariot. This accident marked a turning point in his reign and health. Halle's attention to detail is evident as he captures the essence of this historical event. The composition focuses on Antiochus IV himself – a man whose illness had weakened him physically and spiritually. Surrounded by concerned men who were witnesses to this incident, we can sense their shock and disbelief at witnessing such an unexpected turn of events. Displayed at The Metropolitan Museum of Art, this artwork serves as both a testament to Halle's artistic prowess and an important reminder that even mighty rulers are subject to unforeseen circumstances. It invites viewers to contemplate themes such as power dynamics, mortality, and divine intervention within historical contexts. Noel Halle's photograph offers us not only visual delight but

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