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Pillow : House at Troon, Ayrshire, c1910. Artist: Arnold Mitchell
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House at Troon, Ayrshire, c1910. Artist: Arnold Mitchell
House at Troon, Ayrshire, c1910. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]
Heritage Images features heritage image collections
Media ID 14972266
© The Print Collector
Arial View Arnold Colourful Elevated View Flower Bed Flowerbed Mitchell South Ayrshire Studio Publications Studio Volume 48 Faaade Troon
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the enchanting "House at Troon, Ayrshire" in all its glory. Taken around 1910 by the talented artist Arnold Mitchell, this image captures the essence of nature and architecture harmoniously intertwined. The house stands proudly amidst a picturesque garden adorned with vibrant flowers and plants, creating a colorful spectacle that is truly awe-inspiring. The view from this elevated perspective allows us to appreciate the beauty of Scotland's landscape as it stretches out before us. The century-old facade exudes timeless charm and elegance, while the meticulously maintained flowerbeds add an extra touch of grace to this already stunning scene. Published in The Studio Volume 48 by London Offices of the Studio between 1909-10, this print has become a treasured piece of art that encapsulates both history and natural splendor. Its aerial view offers a unique perspective on South Ayrshire's breathtaking scenery. Arnold Mitchell's keen eye for detail shines through in every aspect of this composition. From the carefully chosen colors to the intricate architectural features, his talent is evident throughout. As we gaze upon this remarkable print, we are transported back to early 20th-century Scotland – a time when nature was revered and architecture celebrated. It serves as a reminder that even within our modern world, there is still immense beauty to be found in both man-made structures and their natural surroundings.
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