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Pillow : Interior of the Church of St Martin-in-the-Fields, Westminster, London, 1809. Artist
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Interior of the Church of St Martin-in-the-Fields, Westminster, London, 1809. Artist
Interior of the Church of St Martin-in-the-Fields, Westminster, London, 1809. View looking east, with a service in progress. Designed by James Gibbs, the church was built in the 1720s
Heritage Images features heritage image collections
Media ID 15179144
© London Metropolitan Archives (City of London) / Heritage-Images
Augustus Charles Augustus Charles Pugin Ceiling Congregation Gibbs James Gibbs Nave Pugin Pulpit Rowlandson Service St Martin In The Fields Thomas Rowlandson Worship Worshipper Worshipping Aquatint City Of Westminster
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the serene and awe-inspiring interior of the Church of St Martin-in-the-Fields in Westminster, London. Taken in 1809, this view looking east showcases a service in progress, immersing us in the spiritual atmosphere of the time. Designed by renowned architect James Gibbs and constructed in the 1720s, this architectural masterpiece stands as a testament to British craftsmanship and religious devotion. The image highlights its grandeur with its towering columns, intricate ceiling details, and beautifully designed windows that allow soft rays of light to filter through. The congregation can be seen gathered within this sacred space, engrossed in their worship. Worshippers fill every pew while others stand near pillars or find solace at the pulpit. Their presence adds depth and life to the scene as they engage with their faith amidst such breathtaking surroundings. The color palette chosen for this print enhances its historical significance, transporting us back to a time when England was experiencing great social change during the transition from the 18th century into the 19th century. Preserved by Augustus Charles Pugin and Thomas Rowlandson's aquatint technique, this image is not just an artistic representation but also serves as a valuable record of Britain's rich cultural heritage. It offers viewers an opportunity to appreciate both architectural beauty and religious devotion intertwined within one frame. Displayed proudly at Guildhall Library and Art Gallery today, this remarkable piece invites contemplation on our shared history while celebrating both artistry and spirituality that
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