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Pillow : Madonna and Child with two Angels, 1460s. Artist: Lippi, Fra Filippo (1406-1469)
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Madonna and Child with two Angels, 1460s. Artist: Lippi, Fra Filippo (1406-1469)
Madonna and Child with two Angels, 1460s. Found in the collection of the Galleria degli Uffizi, Florence
Heritage Images features heritage image collections
Media ID 14857696
© Fine Art Images
Angels Christ Child Florentine School Fra Filippo 1406 1469 Holy Family Lippi Madonna And Child With Angels Madonna Of Humility Tempera On Panel Mother Of God Virgin And Child
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This exquisite print captures the timeless beauty and divine grace of Fra Filippo Lippi's "Madonna and Child with two Angels". Painted in the 1460s, this masterpiece is a testament to the artist's skill and devotion. In this Renaissance-era artwork, we see the Virgin Mary cradling baby Jesus in her arms, surrounded by two angelic figures. The delicate brushstrokes and vibrant colors bring life to their ethereal presence. Mary gazes lovingly at her child, while the angels look on with adoration. The composition exudes tranquility and serenity as it depicts a moment of intimate connection between mother and son. It is a scene that resonates deeply with viewers across centuries, reminding us of the profound bond shared between parent and child. Fra Filippo Lippi's mastery lies not only in his technical prowess but also in his ability to convey spiritual significance through art. This painting reflects themes from biblical narratives found in the New Testament, emphasizing Mary's role as both mother and holy figure. Housed within Florence's esteemed Galleria degli Uffizi, this work stands among other renowned pieces from the Florentine School. Its enduring popularity speaks volumes about its impact on art history. As we gaze upon this print today, we are transported back to an era where faith intertwined seamlessly with artistic expression – a testament to human creativity inspired by divinity itself.
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