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Pillow : Title page smiling man holds corner cloth tied

Title page smiling man holds corner cloth tied




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Liszt Collection

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Title page smiling man holds corner cloth tied

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14063837

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1728 1808 1728–1808 1759 Active England Cloth Corner Fig Tree Inscription Jean Pillement Lyons Points Stick Title Page Kentish Town Pierre Charles Canot


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Europe > France > Paris > Related Images

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > Related Images


EDITORS COMMENTS
This print from the Liszt Collection showcases a title page featuring a smiling man holding a corner cloth tied to a fig tree with one hand, while pointing at it with a stick in the other. The intricate details of this engraving, created by Jean Pillement in 1759, are truly remarkable. The composition is framed by an elegant inscription that reads "Recueil de plusieurs jeux d'enfants chinois" adding an air of mystery and intrigue to the scene. The French artist's talent shines through as he expertly captures the essence of Chinese children's games. Measuring approximately 19 3/16 x 12 15/16 inches (487 x 328 cm), this sheet holds immense historical value. It transports us back to the artistic era of Jean Pillement, who was born in Lyons in 1728 and passed away in Paris in 1808. Pierre Charles Canot, an active figure in England during that time period, played a significant role in bringing this masterpiece to life. As we admire this print, let us appreciate not only its aesthetic beauty but also its cultural significance. This image serves as a testament to the cross-cultural exchange between France and China during the eighteenth century. Let it inspire us to explore different art forms and embrace diversity across borders without commercial intentions or implications.

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