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Poster Print : two meetings

two meetings




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two meetings

Gilbert Claes

Media ID 36608122

Boys Coastline Moody Pebbles Persons Statues Stones Three Encounters Meetings Minimalism


20x30 inch Poster Print

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> 1x Gallery > Mood

> Arts > Artists > O > Oceanic Oceanic

> Arts > Contemporary art > Landscapes > Minimalism

> Arts > Landscape paintings > Coastal landscapes > Landscape paintings

> Arts > Minimalist artwork > Minimalism > Minimalism artwork

> Arts > Modern art pieces > Minimalism > Landscape paintings


EDITORS COMMENTS
In this evocative photograph by Belgian artist Gilbert Claes, titled "Meetings at the Coast," we are invited to bear witness to three profound encounters taking place along a desolate, moody coastline. The vast expanse of the ocean stretches out before us, its dark, turbulent waters crashing against the jagged, rocky shoreline. The minimalist composition invites us to reflect on the beauty and power of nature, as well as the human condition. At the water's edge, two figures stand facing each other, their bodies obscured by the mist and spray, as if lost in deep conversation. Their forms, rendered in soft, monochromatic tones, blend seamlessly with the surrounding environment, emphasizing their connection to the natural world. Nearby, a third figure, a young boy, sits alone on a rock, seemingly lost in thought as he gazes out at the endless expanse of water. The scene is further enriched by the presence of three statuesque figures, their stoic forms weathered by the elements and seemingly eternal. They stand sentinel over the shore, bearing witness to the passing of time and the endless cycle of meetings and encounters that take place upon this coastal landscape. The composition is further enhanced by the textures of the pebbles and stones, the grainy sand, and the undulating waves, all of which add depth and complexity to the image. The overall effect is one of contemplative beauty, inviting us to reflect on the fleeting nature of human connections and the enduring power of the natural world. Gilbert Claes' "Meetings at the Coast" is a hauntingly beautiful meditation on the human condition, the passage of time, and the enduring power of nature. Through his masterful use of composition, tone, and texture, Claes invites us to explore the depths of our own emotions and to find meaning in the most unexpected places. This is a photograph that lingers in the memory, long after the initial viewing.

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