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Poster Print : Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Poster Prints from Fondazione Alinari per la Fotografia
Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Territories of Lodi, Cremona and Pavia on this side of the Po River, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0031
Media ID 33187739
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
18x24 inch Poster Print
Step back in time with our exquisite poster print from Alinari, featuring an engraving of the Territories of Lodi, Cremona, and Pavia on this side of the Po River. Dated back to 1784, this captivating piece is taken from Tome II of the "Newest Atlas" published in Venice by Antonio Zatta. The intricate detail and beautiful shading in this historic map, engraved by G. Zuliani, make it a stunning addition to any room. Bring a touch of history and elegance to your space with this authentic and rare find.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. The artwork, which is part of a private collection in Florence, depicts the territories of Lodi, Cremona, and Pavia on the side of the Po River. The engraving beautifully captures the essence of Renaissance-Baroque styles and periods prevalent during Europe's first and second millenniums. It serves as a testament to the remarkable craftsmanship and attention to detail that characterized this era. With its intricate lines and meticulous shading, this piece exemplifies the artistry involved in cartography and graphics during the eighteenth century. It not only serves as a geographical or topographical map but also conveys deeper meanings through allegory and abstract concepts. As an instrument for communication, this artwork transcends time by bridging two centuries - it was created in 1784 but photographed in 2009. Its ability to endure speaks volumes about its significance as a historical document. The scene depicted transports viewers back to a different era when maps were meticulously hand-drawn works of art rather than digital renderings we are accustomed to today. This print invites us to appreciate both the beauty inherent in such creations as well as their practical purpose for navigation and understanding our world. In conclusion, Alinari's photograph allows us to marvel at Zuliani's masterful engraving while reflecting on how far we have come since its creation over two centuries ago. It stands as a testament to human ingenuity within both artistic expression and scientific exploration throughout history.
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