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Poster Print : Baby cot of the Prince Imperial, given by the City of Paris to Empress Eugenie in 1856
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Baby cot of the Prince Imperial, given by the City of Paris to Empress Eugenie in 1856
498765 Baby cot of the Prince Imperial, given by the City of Paris to Empress Eugenie in 1856 (b/w photo) by Baltard, Victor (1805-74); 214x159x65 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Napoleon EugAne Louis Jean Joseph (1856 - 1879) Prince Imperial, only child of Emperor Napoleon III of France and Empress Consort Eugenie de Montijo; the cradle, made of rosewood, enamel and silver, was a gift from the city of Paris at a cost of 156, 839 francs and the shape of a ship was taken from the coat of arms of Paris; at the prow of the cradle is an eagle sculpted by Henri Jacquemart and at the poop the female figure was made by Pierre-Charles Simart and represents the city of Paris supporting the imperial crown; on the sides of the cradle there are four SAvres medallions of blue enamel based on designs by Hippolyte Flandrin with representations of the cardinal virtues of Prudence, Justice, Temperance and Courage; in 1902 Empress Eugenie donated the cradle to Carnavalet Museum; ); French, out of copyright
Media ID 22911574
© Bridgeman Images
Berceau Birth Bonaparte Cadeau Cradle Crib Gift Heir Preparation Present Prince Imperial Second Empire
20x30 inch Poster Print
Step back in time with our exquisite poster print from the Media Storehouse collection, featuring the Baby Cot of the Prince Imperial. This beautiful antique piece, presented by the City of Paris to Empress Eugenie in 1856, is captured in stunning black and white detail by Victor Baltard. Bring the elegance and history of this iconic baby cot into your home or office, and add a touch of timeless sophistication to any space. Order your Media Storehouse poster print today from Bridgeman Images at Fine Art Finder.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 51.4cm x 76.8cm (20.2" x 30.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the exquisite baby cot of the Prince Imperial, a gift bestowed upon Empress Eugenie by the City of Paris in 1856. The cradle, measuring an impressive 214x159x65 cm, is displayed at the Musee de la Ville de Paris, Musee Carnavalet in France. Crafted from rosewood, enamel, and silver, this magnificent piece was created at a cost of 156,839 francs. Its design takes inspiration from a ship's shape found within the coat of arms of Paris. At its prow stands an intricately sculpted eagle by Henri Jacquemart while at its poop rests a female figure symbolizing the city of Paris supporting the imperial crown; both crafted with utmost precision by Pierre-Charles Simart. The sides of this remarkable cradle feature four Sèvres medallions adorned with blue enamel designs conceived by Hippolyte Flandrin. Each medallion represents one of the cardinal virtues: Prudence, Justice, Temperance, and Courage. In 1902 Empress Eugenie generously donated this cherished heirloom to Carnavalet Museum where it continues to captivate visitors with its opulence and historical significance. This photograph allows us to appreciate not only its grandeur but also serves as a testament to the craftsmanship and artistry that thrived during this era. As we gaze upon this image captured by Baltard Victor in all its monochromatic glory through Bridgeman Images' lens - we are transported back in time to witness firsthand a tangible representation of royal indulgence and artistic mastery.
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