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Poster Print : Reverse of an Anthropomorphic Plaque, Possibly the Fire Serpent, Preclassic period

Reverse of an Anthropomorphic Plaque, Possibly the Fire Serpent, Preclassic period




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Reverse of an Anthropomorphic Plaque, Possibly the Fire Serpent, Preclassic period

1764380 Reverse of an Anthropomorphic Plaque, Possibly the Fire Serpent, Preclassic period, 800-400 BC (serpentine & cinnabar) by Prehistoric; 23.5x14x1.9 cm; Dallas Museum of Art, Texas, USA; (add.info.: Guerrero, Aheulican, possibly Olmec.); Dallas Art Association Purchase, The Art Museum League Fund; out of copyright

Media ID 22845578

© Dallas Art Association Purchase, The Art Museum League Fund / Bridgeman Images

Artefact Artifact Central Cinnabar Columbian Jadeite Jaguar Mesoamerica Mythical Nephrite Olmec Pre Columbian Precolumbian Rain Raining Scary Serpentine Shaman Shamanism Stylised Zoomorphic Greenstone Guerrero Monster


18x24 inch Poster Print

Discover the captivating allure of ancient civilizations with our Media Storehouse range of Poster Prints. This mesmerizing piece showcases the reverse side of an anthropomorphic plaque, believed to depict the enigmatic Fire Serpent from the Preclassic period. Dating back to around 800-400 BC, this exquisite artifact is crafted from serpentine and cinnabar. Bring the mysteries of the Prehistoric world into your home or office with this stunning, museum-quality poster print from Bridgeman Images, sourced from the Dallas Museum of Art.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Prehistoric

> Fine Art Finder > Mesoamerican & South American Artefacts

> Europe > United Kingdom > England > London > Sights > Serpentine

> Historic > Ancient artifacts and relics

> Historic > Ancient civilizations > Olmec civilization

> North America > Mexico > Related Images

> North America > United States of America > Texas > Dallas

> North America > United States of America > Texas > Related Images


EDITORS COMMENTS
This print showcases the reverse side of an anthropomorphic plaque, believed to represent the Fire Serpent from the Preclassic period. Created between 800-400 BC, this serpentine and cinnabar artwork measures 23.5x14x1.9 cm and is currently housed in the Dallas Museum of Art in Texas, USA. The origins of this enigmatic piece are shrouded in mystery, with suggestions that it may have been crafted by the Guerrero or Aheulican people, possibly even belonging to the Olmec civilization. Its intricate design combines elements of both human and animal forms, blurring the line between reality and mythology. As we delve into its symbolism, we uncover a world filled with legends and ancient gods. This central figure exudes a sense of power and mystique as it merges zoomorphic features with stylized human characteristics. The use of greenstone adds to its antiquity while highlighting its significance within pre-Columbian archaeology. The creature depicted on this artifact appears monstrous yet awe-inspiring—a testament to the rich mythological beliefs prevalent during that era. It evokes images of rain-soaked jungles where shamans communed with spirits amidst a backdrop of jaguars prowling through dense foliage. Beyond its artistic value lies a deeper connection to meteorology and climate science—depicting not just an object but also reflecting how ancient civilizations sought meaning in natural phenomena such as rainfall. This mesmerizing print invites us to explore our shared history

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