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Poster Print : First Class - The Meeting (oil on canvas)

First Class - The Meeting (oil on canvas)




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First Class - The Meeting (oil on canvas)

SOU104920 First Class - The Meeting (oil on canvas) by Solomon, Abraham, (1824-1862) (attr.); 54.5x76.3 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; English, out of copyright

Media ID 23368340

© Southhampton City Art Gallery / Bridgeman Images

Compartment Gloves Introduction Lace Making Rail Talking Upper Classes Wealthy


18x24 inch Poster Print

Bring the timeless beauty of fine art into your home with Media Storehouse's Poster Prints. This exquisite piece, "First Class - The Meeting" by Abraham Solomon, showcases the artist's masterful use of oil on canvas. Depicting a captivating scene from the world of 19th-century England, this work of art is a true masterpiece from Southampton City Art Gallery's collection. Add an air of sophistication and culture to any room with this stunning poster print, a perfect blend of history and artistry.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Abraham (attr.) Solomon

> Fine Art Finder > Artists > James Barry

> Fine Art Finder > Transport,travellers & Immigrants

> Arts > Artists > S > Abraham Solomon

> Europe > United Kingdom > England > Hampshire > Related Images

> Europe > United Kingdom > England > Hampshire > Southampton

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Railways

> Europe > United Kingdom > England > Southampton

> Europe > United Kingdom > Paintings

> Popular Themes > Railway Posters

> Posters > Railway Posters

> Transportation > Trains


First Class - The Meeting

EDITORS COMMENTS
is a captivating oil painting that transports us back to the Victorian era, capturing a moment of intrigue and elegance. Painted by Abraham Solomon, or attributed to him, this masterpiece measures 54.5x76.3 cm and can be found in Southampton City Art Gallery in Hampshire, UK. The scene unfolds within the luxurious confines of a train carriage compartment. A distinguished officer, adorned in his military uniform with an impressive sword at his side, engages in conversation with a young lady seated across from him. Her delicate lace-making gloves suggest refinement and wealth. This encounter seems to be an introduction between father and daughter as they embark on their journey through England's picturesque landscapes. The atmosphere exudes sophistication and privilege associated with the upper classes during this period. Solomon masterfully captures the intricate details of both characters' attire while skillfully portraying their expressions and body language. Their animated conversation hints at secrets shared or plans being made amidst the rhythmic motion of the train. Through this artwork, we are transported into a world where rail travel was not only practical but also served as an opportunity for social interaction among England's elite society. "First Class - The Meeting" invites us to imagine ourselves alongside these characters as they navigate both physical distances and societal expectations during their privileged journeys across Victorian England.

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