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Poster Print : Fat Cattle, pub. 1802 (hand coloured engraving)

Fat Cattle, pub. 1802 (hand coloured engraving)




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Fat Cattle, pub. 1802 (hand coloured engraving)

3051746 Fat Cattle, pub. 1802 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Francis Russell, 5th Duke of Bedford (1765-1802); ); The Stapleton Collection; English, out of copyright

Media ID 22742476

© The Stapleton Collection / Bridgeman Images

Breeder Bull Enormous Excessive Farmyard Feeding Geese Goose Grazing Hanoverian Haystacks Horns Husbandry Mammoth Monstrous Pioneer Pioneering Turnips Hay Bale


18x24 inch Poster Print

Step back in time with our exquisite Fat Cattle poster print from the Media Storehouse collection, published in 1802. This captivating hand-coloured engraving by James Gillray, a renowned English satirical artist, offers a fascinating glimpse into the past. The image of plump cattle, a popular subject during the time of agricultural abundance, is not only a charming addition to any decor but also a testament to historical farming practices. Bring the charm of the 19th century into your home or office with this beautiful, authentic work of art from Bridgeman Images and Fine Art Finder.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > James Gillray

> Animals > Birds > Waterfowl > Geese > Related Images

> Animals > Farm > Cattle > Related Images

> Animals > Farm > Pigs > Related Images

> Animals > Farm > Related Images

> Animals > Farm > Sheep > Related Images

> Animals > Mammals > Bovidae > Cattle

> Animals > Mammals > Bovidae > Sheep

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork


EDITORS COMMENTS
This hand-coloured engraving, titled "Fat Cattle, pub. 1802" takes us back to the early 19th century and offers a glimpse into the world of husbandry during the agricultural revolution. Created by renowned artist James Gillray, this print showcases Francis Russell, the 5th Duke of Bedford, alongside an enormous prize animal. The sheer size of these cattle is awe-inspiring as they graze in a picturesque farm setting surrounded by haystacks and turnips. The exaggerated proportions highlight both their excessive breeding and the pioneering efforts made in farming during this era. Gillray's satirical touch is evident through his caricature-like portrayal of not only the cattle but also other farm animals such as geese, pigs, sheep, and even a ram. This whimsical approach adds humor to what would otherwise be a straightforward portrait. Furthermore, this artwork sheds light on the aristocracy's involvement in agriculture at that time. It symbolizes how farming became intertwined with social status for many members of high society. As we delve into this historical piece from our private collection, it becomes clear that "Fat Cattle" serves as more than just an artistic representation; it encapsulates an entire era marked by innovation and progress in farming techniques. Through its intricate details and playful imagery, this engraving invites us to reflect on our own relationship with nature and how far we have come since those pioneering days.

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