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Poster Print : Abbots of the Ngor Monastery, late 16th century. Creator: Unknown
Poster Prints from Heritage Images
Abbots of the Ngor Monastery, late 16th century. Creator: Unknown
Abbots of the Ngor Monastery, late 16th century. The first two abbots of the Ngor Monastery in central Tibet, the older Sempa Chenpo and the younger Jamyang Sherab Gyatsho, engage in a lively conversation. They may be discussing the teachings of the "Hevajra Tantra": the wrathful deity Hevajra, united with his female partner, occupies the space between their flowered halos. Above Hevajra is the Buddha Vajradhara, the ultimate source of the tantra's teachings, surrounded by members of the teaching lineage. The fifth figure on the left wears a red hat identical to that of the younger abbot at the centre. He is Sakya Pandita, a prominent lama of the Sakya monastic tradition. When Ngor Monastery was founded in 1429, it became the center for a new branch of the Sakya lineage
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Media ID 36368018
© Heritage Art/Heritage Images
Abbot Buddha Conversation Conversing Cross Legged Educator Fotuo Hevajra Lama Legs Crossed Monastery Prayer Beads Rosary Speaking Talking Teacher Teaching Tempera On Cloth Tibet Tibetan Tibetan Buddhism Vajradhara Walters Art Museum Posture
18x24 inch Poster Print
Step back in time with our exquisite Media Storehouse Poster Prints featuring the Abbots of the Ngor Monastery from the late 16th century. This captivating image, sourced from Heritage Images, showcases the first two abbots of the renowned Ngor Monastery in central Tibet: Sempa Chenpo and Jamyang Sherab Gyatsho. Their serene expressions and traditional attire transport you to a bygone era, making this print an enchanting addition to any home or office. Unknown creators have beautifully captured the essence of Tibetan spirituality and history in this timeless piece.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this 16th century print, two revered abbots of the Ngor Monastery in central Tibet, Sempa Chenpo and Jamyang Sherab Gyatsho, are deeply engrossed in a lively conversation. The serene setting is adorned with vibrant colors, as the abbots sit cross-legged on a richly decorated platform. The older abbot, Sempa Chenpo, wears a green robe and a red hat, while the younger Jamyang Sherab Gyatsho dons a similar green robe and a red hat, identical to that of the figure on the left, who is identified as the renowned Sakya Pandita, a prominent lama of the Sakya monastic tradition. Above the heads of the abbots, the wrathful deity Hevajra, united with his female partner, occupies the space between their flowered halos. Hevajra represents the ultimate source of the Hevajra Tantra's teachings, and is surrounded by members of the teaching lineage. The fifth figure on the left, with a red hat, is identified as Sakya Pandita. Ngor Monastery, founded in 1429, became the center for a new branch of the Sakya lineage. This exquisite painting, executed in tempera on cloth, is a testament to the rich cultural and religious heritage of Tibet. The abbots' intense focus and the intricate details of their attire and surroundings reveal the depth of their education and devotion. The peaceful atmosphere of the scene invites reflection and contemplation, making this an invaluable addition to any collection of Asian art or Buddhist art.
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