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Poster Print : In Boarding-House Land: The Plane Trees of Torrington Square, c1935. Creator: Donald McLeish

In Boarding-House Land: The Plane Trees of Torrington Square, c1935. Creator: Donald McLeish




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In Boarding-House Land: The Plane Trees of Torrington Square, c1935. Creator: Donald McLeish

In Boarding-House Land: The Plane Trees of Torrington Square, c1935. Georgian terraced houses round a square in Bloomsbury, central London. The artist Christina Rossetti (1830-1894) lived at number 30. From " Wonderful London, Volume 2", edited by Arthur St John Adcock. [The Fleetway House, London, c1935]

Heritage Images features heritage image collections

Media ID 18324646

© The Print Collector/Heritage Images

Adcock Arthur St John Arthur St John Adcock Bloomsbury Boarding House Camden Christina Donald Donald Mcleish Georgian Housing John Adcock Mcleish Rented Accommodation Rossetti Wonderful London Christina Georgina Rossetti Christina Rossetti Plane Tree


18x24 inch Poster Print

Step back in time with our stunning vintage poster print, featuring the iconic image "In Boarding-House Land: The Plane Trees of Torrington Square, c1935" by Donald McLeish. This captivating photograph transports you to the heart of Bloomsbury, central London, showcasing the beautiful Georgian terraced houses surrounding the serene Torrington Square. The plane trees, with their distinctive canopies, create a picturesque scene that perfectly encapsulates the charm of a bygone era. Bring this piece of history into your home and add a touch of timeless elegance to any room.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > John White

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Realistic drawings > Nature art > Landscape paintings

> Asia > Georgia > Related Images

> Europe > France > Canton > Landes

> Europe > United Kingdom > England > London > Boroughs > Camden


In Boarding-House Land - The Plane Trees of Torrington Square, c1935

EDITORS COMMENTS
captures the timeless beauty and charm of Bloomsbury, central London. This print by Donald McLeish showcases a picturesque Georgian square adorned with magnificent plane trees. The elegant terraced houses that surround the square serve as a testament to the rich history and architectural grandeur of this neighborhood. Notably, number 30 was once home to the renowned artist Christina Rossetti (1830-1894), adding an extra layer of artistic significance to this scene. As we gaze upon this image, we are transported back in time to an era when boarding houses were prevalent and rented accommodation was sought after in bustling cities like London. The monochrome aesthetic lends a nostalgic feel to the photograph, emphasizing the enduring beauty of nature amidst urban surroundings. The towering plane trees provide shade and serenity in this busy cityscape, offering respite for residents and visitors alike. This stunning visual from "Wonderful London, Volume 2", edited by Arthur St John Adcock, allows us to appreciate both the natural splendor of these majestic trees and their harmonious coexistence with man-made structures. It serves as a reminder that even in densely populated areas like Bloomsbury, pockets of tranquility can be found if one knows where to look. As we admire this snapshot frozen in time from 1935, let us celebrate not only its aesthetic appeal but also its historical significance as a testament

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