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Poster Print : La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier

La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier



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La hache qui le coupera n'est pas encore trempée, 1871. Creator: Honore Daumier

La hache qui le coupera n'est pas encore trempee, 1871.
The axe that will cut it is not yet soaked

Heritage Images features heritage image collections

Media ID 36290846

© Heritage Art/Heritage Images

Actualites Caricatures Cartoons Daumier Honore Daumier Honore Victorin Gillotype Gillotype On Newsprint H Daumier Honore Daumier Honore Victorin Daumier Newsprint Photo Engraving Suffrage Title Tools Universal Suffrage Vote Votes Voting Parody Satirical Titled


27x27 inch Poster Print

Bring the timeless art of Honore Daumier into your home with our Media Storehouse range of Poster Prints. This captivating piece, titled "La hache qui le coupera n'est pas encore trempee" (The axe that will cut it is not yet soaked), was created by the renowned French artist in 1871. Capturing the essence of Daumier's masterful use of satire and social commentary, this poster print is a must-have for art enthusiasts and history buffs alike. Printed on high-quality paper, this vibrant and intriguing piece is sure to make a statement in any room. Experience the rich history and artistic brilliance of Honore Daumier with our Media Storehouse Poster Prints.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 69.2cm x 69.2cm (27.2" x 27.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > France > Le Mans

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> Popular Themes > Politics


La hache qui le coupera n'est pas encore trempee,

EDITORS COMMENTS
or "The axe that will cut it is not yet soaked," is a captivating caricature created by the renowned French artist Honore Daumier in 1871. This monochrome print, featuring a humorous and satirical depiction, is a testament to the rich cultural heritage of the 19th century. Daumier's masterful use of line and form brings to life a scene of two men standing in a forest, each wielding an axe, as they contemplate a tree. The title of the work suggests that the tree's fate is not yet sealed, but the ominous presence of the axes and the determined expressions on the men's faces hint at an impending act of destruction. The print, which is a gillotype on newsprint, showcases Daumier's exceptional skill as a caricaturist and his ability to infuse his work with political and social commentary. The use of black and white contrasts effectively to highlight the figures and the texture of the tree and the forest background. Daumier's "La hache qui le coupera n'est pas encore trempee" is a fascinating glimpse into the past, offering a glimpse into the daily life and the concerns of the people of France during the 19th century. The print is a must-see for anyone interested in the history of art, politics, and satire. This work is part of a larger series by Daumier that explores the themes of nature, politics, and the human condition. It is a valuable addition to any art collection or gallery, and its timeless humor and relevance continue to resonate with audiences today. The National Gallery of Art in Washington, D.C. is just one of the many prestigious institutions that have recognized the importance of Daumier's work and have included it in their permanent collections.

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