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Poster Print : Slipware Dish by Thomas Toft, c1675, (1944). Creator: Unknown

Slipware Dish by Thomas Toft, c1675, (1944). Creator: Unknown



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Slipware Dish by Thomas Toft, c1675, (1944). Creator: Unknown

Slipware Dish by Thomas Toft, c1675, (1944). The design shows, though incorrectly, the Royal Arms of England. The initials C.R. stand for Charles II. From " English Pottery and China, by Cecilia Sempill. [Collins, London, 1944]

Heritage Images features heritage image collections

Media ID 19777698

© The Print Collector/Heritage Images

Britain In Pictures Cecilia Coat Of Arms Collins Crockery Dish Heraldic Heraldry Kilburn King Charles Ii Lion And Unicorn Slipware Social History William Collins William Collins And Sons William Collins Sons Sempill


27x27 inch Poster Print

Bring historical charm into your home with Media Storehouse's Poster Prints featuring the Slipware Dish by Thomas Toft, circa 1675. This beautiful design, captured from Heritage Images, showcases an intricately detailed slipware dish bearing the incorrect yet fascinating representation of the Royal Arms of England during the reign of Charles II. Add an air of antiquity and timeless elegance to any room with this captivating piece of art. Note: Initial C.R. stands for Charles II.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 69.2cm x 69.2cm (27.2" x 27.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > C > Charles Collins

> Arts > Artists > C > King Charles

> Arts > Artists > C > William Charles

> Arts > Artists > C > William Collins

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > London > Towns > Kilburn

> Europe > United Kingdom > Scotland > East Lothian > Dunbar

> Europe > United Kingdom > Scotland > Lothian > Dunbar


EDITORS COMMENTS
This vibrant print captures a Slipware Dish created by the renowned potter Thomas Toft in 1675. The dish, showcased here in all its glory, was mistakenly designed to depict the Royal Arms of England. The initials "C. R" proudly represent Charles II, the reigning monarch at that time. This piece is featured in Cecilia Sempill's book "English Pottery and China" published by Collins in 1944. The dish itself is a true testament to English craftsmanship, showcasing intricate details and rich colors that make it an exquisite decorative item. Its royal symbolism adds an air of regality to any space it graces. Dating back to the seventeenth century, this slipware dish holds historical significance as a representation of British heritage and culture. It serves as a reminder of the opulence and grandeur associated with royalty during that era. The print beautifully captures every aspect of this remarkable object - from its distinctive coat of arms featuring lions and unicorns to its expertly crafted ceramic form. With its striking color palette and meticulous design, this slipware dish stands as a testament to both artistic skill and social history. Displayed against a backdrop reminiscent of 1940s aesthetics, this photograph transports viewers back in time while celebrating the enduring beauty of British ceramics throughout centuries past.

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