Poster Print > Historic England > Architecture > Tudor and Stuart Architecture
Poster Print : Chesterton Windmill a98_05261
Poster Prints from Historic England
Chesterton Windmill a98_05261
CHESTERTON WINDMILL, Chesterton, Warwickshire. Chesterton Windmill was built in 1632 and remained in working use until 1910. It may have been desiged by Inigo Jones or Sir Edward Peyto, owner of the manor, possibly originally as a viewing point. Photographed by Eric de Mare between 1945 and 1980
Historic England is the public body that champions and protects England's historic places
Media ID 4974245
© Historic England
27x27 inch Poster Print
Introducing the captivating Chesterton Windmill poster print from Media Storehouse and Historic England. This exquisite image, captured by renowned photographer Eric de Mare, showcases the breathtaking beauty and rich history of Chesterton Windmill in Warwickshire. Dating back to 1632, this historic windmill was a vital part of the community until its last working day in 1910. Bring the charm of the past into your home or office with this stunning, high-quality poster print. The intricate details of the windmill's timber frame, sails, and galleries are beautifully preserved in this photograph, making it a must-have for history enthusiasts, art lovers, and anyone who appreciates the simple elegance of a bygone era. Elevate your space with a touch of timeless allure – order your Chesterton Windmill poster print today.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 69.2cm x 69.2cm (27.2" x 27.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Architecture
> Tudor and Stuart Architecture
> Historic Images
> Famed Photographers
> Eric de Mare Collection (1955-1980)
EDITORS COMMENTS
This print showcases the majestic Chesterton Windmill, standing tall against the picturesque backdrop of Warwickshire. Built in 1632 and operational for nearly three centuries until 1910, this iconic landmark has witnessed the passage of time and holds within its ancient walls a rich history. Believed to be designed by either Inigo Jones or Sir Edward Peyto, owner of the manor, this remarkable structure may have initially served as a viewing point for its creators. Its strategic location atop a hill offers breathtaking panoramic views of the surrounding countryside, making it an ideal spot for contemplation and reflection. Photographed by Eric de Mare between 1945 and 1980, this image captures the enduring beauty and timeless charm of Chesterton Windmill. The photographer's keen eye expertly frames the windmill against a clear blue sky, emphasizing its grandeur while highlighting every intricate detail. As we gaze upon this stunning photograph print from Historic England's collection, we are transported back in time to an era when windmills were not only functional but also symbols of human ingenuity. It serves as a reminder that even amidst modern advancements, there is still immense value in preserving our historical treasures. Let us cherish this visual testament to our past – an homage to both nature's splendor and mankind's architectural prowess – forever captured through Eric de Mare's lens.
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