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Poster Print : Benjamin Britten with his Alvis Graber

Benjamin Britten with his Alvis Graber




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Benjamin Britten with his Alvis Graber

Colin Graham (left) and Benjamin Britten leaving his Graber bodied Alvis convertible. The man on the right is unidentified. This was during rehearsals for the Beggars Opera a few yards north of the Jubilee Hall, outside what was then Festival Cottage in Crabbe Street (renamed in 1970s-80s Huw House after the welsh-born dachshund who lived in it with Jennifer Andrewes) Date: 1962

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14142525

© Walter Rawlings/Mary Evans Picture Library

Alvis Automobile Benjamin Britten Colin Convertible Graham Opera


18x24 inch Poster Print

Introducing the captivating Benjamin Britten with his Alvis Graber poster print from Media Storehouse's exclusive collection. This evocative image, sourced from Mary Evans Prints Online, captures the renowned English composer, Benjamin Britten, and his companion Colin Graham stepping out of his stylish Alvis Graber convertible. The unidentified man on the right adds an intriguing element to this charming snapshot of a bygone era. Perfectly suited for music lovers, Britten enthusiasts, or car aficionados, this poster print is a must-have for any wall in your home or office. Impeccably printed with vibrant colors and sharp detail, this poster is a testament to the beauty of the past. Add a touch of history and elegance to your space with the Benjamin Britten with his Alvis Graber poster print from Media Storehouse.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
In this evocative black-and-white photograph, Benjamin Britten, the renowned English composer and conductor, is seen leaving his Alvis Graber convertible during rehearsals for his groundbreaking production of The Beggar's Opera in Aldeburgh, Suffolk, England, in 1962. Britten's creative collaborator and stage director, Colin Graham, is seen in the passenger seat, while an unidentified man stands beside the car. The Alvis Graber, a bespoke automobile designed by the coachbuilding firm Alvis Car and Engineering Company, was a favorite of Britten's. The elegant convertible, with its distinctive curved lines and luxurious interior, was a fitting symbol of the composer's success and sophistication. Britten's love for the Alvis Graber is a testament to his appreciation for fine craftsmanship and attention to detail, qualities that were also reflected in his innovative and influential musical compositions. The photograph was taken just a few yards north of Jubilee Hall, outside what was then known as Festival Cottage in Crabbe Street. Today, the cottage is known as Huw House, named after the Welsh-born dachshund who lived there with Jennifer Andrewes, Britten's longtime companion and manager. The image captures a moment in time during the rehearsals for one of Britten's most iconic productions, offering a glimpse into the creative process of a musical genius at work. This photograph is a valuable historical document, capturing the essence of a pivotal moment in the history of modern opera and the collaboration between Britten and Graham. It offers a unique insight into the world of a visionary artist and his passion for both music and automobiles.

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