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Poster Print : Forked-petaled flower de luce, Iris dichotoma

Forked-petaled flower de luce, Iris dichotoma




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Forked-petaled flower de luce, Iris dichotoma

Forked-petaled flower de luce, Iris dichotoma. Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweets Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23206692

© Florilegius/Mary Evans

Bailey Dalton Edwin Iris Lindley Luce Ornamental Shrubbery Sweet Dichotoma Smith


18x24 inch Poster Print

Bring the enchanting beauty of nature into your home or office with our exquisite Forked-petaled Flower de Luce, Iris dichotoma poster prints from Media Storehouse. This stunning hand-colored copperplate engraving, originally published in John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, showcases the intricate details of this rare and captivating flower. Rights Managed from Mary Evans Prints Online, our poster prints are perfect for adding a touch of elegance and sophistication to any space. Immerse yourself in the timeless charm of this forked-petaled wonder, and let its delicate beauty inspire you every day.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Mary Evans Prints Online > New Images August 2021

> Arts > Artists > S > Edwin Dalton Smith

> Arts > Artists > S > Mary Smith

> Arts > Artists > S > Robert Smith

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Portraits > Botanical illustrations > Floral artwork

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Floral illustrations


EDITORS COMMENTS
This exquisite hand-colored copperplate engraving showcases the enchanting beauty of the Forked-petaled Flower de Luce, Iris dichotoma. The intricate detailing of the image, produced by A. Bailey after Edwin Dalton Smith, is a testament to the meticulous craftsmanship of botanical illustration during the mid-19th century. The Forked-petaled Flower de Luce, also known as Blue Flag Iris, is a captivating perennial herb native to Europe, Asia, and North Africa. Its distinctive, elegant flowers boast a unique forked structure, with each petal appearing as if it has been delicately split in two. The petals are typically a vibrant blue hue, with yellow throats and white veins, creating a stunning contrast that adds to the flower's allure. This botanical illustration was originally published in John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery in 1854. Lindley, a renowned botanist, and Sweet, a horticulturist, collaborated to create a comprehensive guide for gardeners and plant enthusiasts, featuring over 1,000 illustrations of various ornamental plants. The publication of this work marked a significant contribution to the advancement of botanical knowledge during the Victorian era. The Forked-petaled Flower de Luce was a popular addition to Victorian gardens, and this engraving would have been a cherished possession for those who sought to cultivate this beautiful plant in their own green spaces. The intricate detailing and vibrant colors of the engraving serve as a reminder of the appreciation for the natural world that characterized the Victorian era and continues to inspire us today.

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