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Poster Print : Pagoda of Brihadeeswarar Temple or Peruvudaiyar
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Pagoda of Brihadeeswarar Temple or Peruvudaiyar
Pagoda of Brihadeeswarar Temple or Peruvudaiyar Kovil, Thanjavur, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrarios Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844
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Media ID 23173658
© Florilegius/Mary Evans
Andrea Bernieri Ferrario Giulio Hindu Pagoda Peoples Tanjore Thanjavur
20x30 inch Poster Print
Discover the timeless beauty of the Pagoda of Brihadeeswarar Temple, also known as Peruvudaiyar Kovil, with our exquisite range of poster prints. This captivating image, hand-drawn and engraved by Andrea Bernieri from Giulio Ferraris' Ancient, showcases the intricate details and vibrant colors of this architectural marvel located in Thanjavur, India. Our high-quality poster prints, sourced from Mary Evans Prints Online, are perfect for adding a touch of history and culture to your home or office space. With a rights-managed license, you can proudly display this stunning work of art with confidence, knowing that you are supporting the original creators and upholding intellectual property rights.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
1. Title: "A Handcoloured Copperplate Illustration of the Pagoda of Brihadeeswarar Temple, Thanjavur, India, by Andrea Bernieri (1844)" The captivating image before you is a handcoloured copperplate drawing and engraving of the Pagoda of Brihadeeswarar Temple, also known as Peruvudaiyar Kovil, located in Thanjavur, India. This magnificent structure, a testament to ancient Hindu architectural prowess, was meticulously captured by the skilled Italian artist, Andrea Bernieri, as part of Giulio Ferrario's "Ancient and Modern Costumes of all the Peoples of the World," published in Florence, Italy, in 1844. The Pagoda of Brihadeeswarar Temple, a UNESCO World Heritage Site, is renowned for its architectural grandeur and intricate carvings. Constructed during the Chola dynasty, this temple is dedicated to Lord Shiva and is considered one of the finest examples of Dravidian architecture. The temple complex is composed of a series of enclosed courts, shrines, and the central tower or 'vimana,' which is the focus of this illustration. The handcoloured copperplate technique employed by Bernieri adds a vibrant and intricate dimension to the image, enhancing the details of the temple's towering structure, ornate carvings, and the surrounding lush greenery. The illustration offers a unique glimpse into the architectural beauty and historical significance of the Pagoda of Brihadeeswarar Temple, which continues to captivate visitors and scholars alike. This exquisite piece of art not only serves as a visual representation of the temple but also offers a window into the rich cultural heritage of India during the 19th century. The meticulous attention to detail and the use of handcolouring techniques make this illustration a valuable addition to any collection of historical and artistic works.
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