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Premium Framed Print : Internal display window inside derelict church (built 1840), Balkan Mountains, Bulgaria
Framed Photos from Discover Images by AWL
Internal display window inside derelict church (built 1840), Balkan Mountains, Bulgaria
Discover Images by AWL is a world-leading brand of premium quality travel images
Media ID 32002699
© Guy Edwardes / AWL Images
Balkan Mountains Bulgaria Bulgarian Display Guy Edwardes Window Abandonded Internal
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an internal display window inside a derelict church, built in 1840, nestled amidst the breathtaking Balkan Mountains of Bulgaria. The image, captured by renowned photographer Guy Edwardes, transports us to Eastern Europe and offers a glimpse into the rich history and architectural beauty of this region. The abandoned church stands as a testament to time's passage and bears witness to the stories that unfolded within its walls. Through this window, we catch a glimpse of the past - intricate details etched on weathered stone, remnants of religious symbolism that once adorned this sacred space. As sunlight filters through cracks in the decaying structure, it illuminates fragments of stained glass and casts ethereal shadows upon worn wooden pews. This juxtaposition between decay and light creates an atmosphere both hauntingly beautiful and deeply contemplative. In capturing this moment frozen in time, Guy Edwardes invites us to reflect on our own connection to spirituality and heritage. The photograph serves as a reminder that even in abandonment there is still beauty to be found; it beckons us to appreciate the delicate balance between preservation and letting go. Whether you are drawn by its architectural allure or captivated by its spiritual significance, this print evokes a sense of wonderment about what once was while leaving room for imagination about what could be.
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