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Premium Framed Print : Cover of Les Hommes d'aujourd'hui, number 431, , illustration by Theo van Rysselberghe (1862-1926): Verhaeren Emile (1855-1916)
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Cover of Les Hommes d'aujourd'hui, number 431, , illustration by Theo van Rysselberghe (1862-1926): Verhaeren Emile (1855-1916)
ICA4843418 Cover of Les Hommes d'aujourd'hui, number 431, , illustration by Theo van Rysselberghe (1862-1926): Verhaeren Emile (1855-1916) by Rysselberghe, Theo van (1862-1926); (add.info.: Cover of Les Hommes d'aujourd'hui, number 431, , illustration by Theo van Rysselberghe (1862-1926): Verhaeren Emile (1855-1916)); Photo © Caricadoc
Media ID 38449726
© © Caricadoc / Bridgeman Images
Ashtray Blowjob Pansy Toad A Journal Caricadoc The Author
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the cover of Les Hommes d'aujourd'hui, number 431, featuring an illustration by the talented Theo van Rysselberghe. The subject of this piece is none other than the esteemed writer Emile Verhaeren, a prominent figure in French literature during the late nineteenth century.
Rysselberghe's intricate engraving skillfully captures Verhaeren's essence, portraying him with a sense of wisdom and introspection. The toad perched on his shoulder adds a whimsical touch to the portrait, symbolizing transformation and rebirth in literature.
As a writer myself, I am drawn to this image not only for its artistic merit but also for its representation of the creative process. The pipe and ashtray at Verhaeren's side suggest he is deep in thought as he crafts his next masterpiece, surrounded by elements that inspire him.
The inclusion of pansies in the illustration further emphasizes Verhaeren's poetic nature, as these flowers are often associated with remembrance and reflection. It is clear that Rysselberghe has paid careful attention to detail in capturing both the physical likeness and inner spirit of this literary giant.
Overall, this print serves as a tribute to Emile Verhaeren and his enduring legacy in French literature. It is a testament to the power of words and storytelling that continues to captivate readers around the world.
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