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Premium Framed Print : M. Adams, 1899 (black lead on paper)
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M. Adams, 1899 (black lead on paper)
XIR414607 M. Adams, 1899 (black lead on paper) by Legros, Alphonse (1837-1911); 21.2x17.7 cm; Louvre (Cabinet de dessins), Paris, France; (add.info.: photographed by Adolphe Giraudon c.1900 at Musee national du Luxembourg; b/w photo; black and white photograph; mine de plomb; RF 15894 recto; ); French, out of copyright
Media ID 12877127
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Bald Balding Belle Epoque Suit
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the essence of M. Adams, a man from 1899 whose image has been immortalized on paper by the talented artist Alphonse Legros. The portrait showcases M. Adams in a half-length study, his face and head dominating the frame with an air of quiet confidence. Meticulously sketched using black lead, Legros masterfully brings out every detail of M. Adams' features - from his distinguished moustache to his balding head. The artist's attention to even the smallest nuances creates a sense of depth and realism that is truly remarkable. The photograph itself was taken by Adolphe Giraudon around 1900 at Musee national du Luxembourg in Paris, France. It beautifully captures the original artwork held at Louvre (Cabinet de dessins), showcasing Legros' talent as well as providing a glimpse into the artistic techniques prevalent during the Belle Époque era. M. Adams exudes an aura of sophistication and elegance, dressed impeccably in a suit with a tie perfectly knotted around his collar. This timeless portrayal speaks volumes about not only M. Adams himself but also about society during that period. As we admire this stunning piece through our modern lens, it serves as a reminder of how art can transcend time and capture moments that continue to resonate with us today.
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