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Premium Framed Print : Separation of church and state. Illustration for Le Rire (colour litho)
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Separation of church and state. Illustration for Le Rire (colour litho)
2786098 Separation of church and state. Illustration for Le Rire (colour litho) by Leandre, Charles (1862-1934); Private Collection; (add.info.: Separation of church and state. Illustration for Le Rire, 20 May 1905.); © Look and Learn
Media ID 23457260
© Look and Learn / Bridgeman Images
Cathloic Cathoic Dividing Division Le Rire Roman Catholicism Sawing Secularism Separating Separation State Caricatures Catholic Religion Catholics Monumument Stone Church
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This vibrant and thought-provoking print titled "Separation of church and state" captures the essence of a significant historical moment. Created by Charles Leandre in 1905 for the French magazine Le Rire, this colour lithograph uses humour and caricature to depict the complex relationship between religion and politics. In this satirical illustration, we see a comical scene where a politician is seen sawing through an enormous stone church, symbolizing the division between church and state. The artist ingeniously portrays the concept of secularism with wit and irony. Leandre's clever use of satire highlights the social tensions surrounding Catholicism in France during that time. Through his exaggerated characters and amusing details, he invites viewers to reflect on the power dynamics between religious institutions and political authority. The intricate architectural elements add depth to this allegorical composition, emphasizing how deeply intertwined religion was with European society at large. This artwork serves as both a scathing critique of Catholic influence on politics while also celebrating freedom from religious dogma. Overall, this satirical cartoon offers a fascinating glimpse into early 20th-century France's political landscape while showcasing Leandre's artistic prowess in capturing societal issues through humor. It remains an enduring testament to the ongoing struggle for separation between church and state worldwide.
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