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Premium Framed Print : The Vampire (Le Stryge), 1853 (etching)
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The Vampire (Le Stryge), 1853 (etching)
XKH150646 The Vampire (Le Stryge), 1853 (etching) by Meryon, Charles (1821-68); 16.9x13.3 cm; On Loan to the Hamburg Kunsthalle, Hamburg, Germany; French, out of copyright
Media ID 12727922
© www.bridgemanart.com
Crows Gargoyle Gothic Architecture Grotesque Jacques Notre Dame Ugly Winged Monster
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Vampire (Le Stryge), 1853
EDITORS COMMENTS
is a captivating etching by Charles Meryon that transports viewers to the eerie streets of Paris. This haunting cityscape print, measuring 16.9x13.3 cm, showcases Meryon's mastery in capturing the dark and grotesque elements of Gothic architecture. At the forefront of the image stands a menacing gargoyle known as "Le Stryge" its wings spread wide and its monstrous features sending shivers down one's spine. Perched atop a tower, this winged creature seems to survey the city below with an air of malevolence. Intriguingly, crows and other birds flock around Le Stryge, adding an ominous atmosphere to the scene. Their presence hints at a macabre narrative unfolding within these ancient walls. The backdrop reveals iconic landmarks such as Notre Dame Cathedral and Tour St Jacques, further immersing us into the heart of Parisian history. The juxtaposition between these architectural marvels and the grotesque gargoyle highlights both beauty and darkness coexisting within urban landscapes. Meryon's attention to detail brings every stone and shadow to life in this print—each line etched with precision evokes a sense of foreboding mystery that lingers long after viewing it. "The Vampire (Le Stryge), 1853" is not just an exploration of gothic aesthetics; it is also an invitation for contemplation on our fascination with monsters lurking beneath
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