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Premium Framed Print : Nell Gwyn, Restoration actress, lover of the Earl of Rochester, long-time mistress of King Charles II of England, 1650-1687

Nell Gwyn, Restoration actress, lover of the Earl of Rochester, long-time mistress of King Charles II of England, 1650-1687



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Nell Gwyn, Restoration actress, lover of the Earl of Rochester, long-time mistress of King Charles II of England, 1650-1687

6340208 Nell Gwyn, Restoration actress, lover of the Earl of Rochester, long-time mistress of King Charles II of England, 1650-1687 by Wright, Thomas (1792-1849); (add.info.: Nell Gwyn, Restoration actress, lover of the Earl of Rochester, long-time mistress of King Charles II of England, 1650-1687. Depicted in loose chemise with her hand on the head of a lamb. Steel engraving by Thomas Wright after a portrait by Sir Peter Lely from Mrs Anna Jamesons Memoirs of the Beauties of the Court of King Charles the Second, Henry Coburn, London, 1838. T. Wright was a member elect of the Imperial Academy of Arts or St. Petersburg and of Florence.); © Florilegius

Media ID 25182202

© Florilegius / Bridgeman Images

Bosom Chemise Courtesan Curls Henry Coburn King Charles Ii Lamb Lover Meat Mistress Mrs Anna Jameson Nell Gwyn Nell Gwynn Restoration Ringlets Sir Peter Lely Steel Engraving Thomas Wright Victorian Era Earl Of Rochester John Wilmot Sheperdess


14"x18" Premium Frame

Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")

Estimated Product Size is 35.6cm x 45.8cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Corsi

> Fine Art Finder > Artists > Thomas Wright

> Arts > Artists > C > King Charles

> Arts > Artists > H > Thomas Hand

> Arts > Artists > H > Thomas Henry

> Arts > Artists > L > Peter Lely

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Arts > Realistic drawings > Animal portraits > Wildlife art

> Arts > Realistic drawings > Animal portraits > Wildlife paintings

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Portrait artwork


EDITORS COMMENTS
This print showcases Nell Gwyn, a renowned Restoration actress and the long-time mistress of King Charles II of England. Painted by Sir Peter Lely and engraved by Thomas Wright, this steel engraving captures the essence of Nell Gwyn's beauty and charm. In the image, Nell is depicted in a loose chemise, her hand gently resting on the head of a lamb. This symbolizes her innocence and purity amidst a world filled with intrigue and desire. As one of the most famous courtesans of her time, she captivated both the Earl of Rochester (John Wilmot) and King Charles II with her irresistible allure. Nell's cascading curls and delicate ringlets frame her face, enhancing her natural beauty. Her expressive eyes hint at a mischievous spirit that enchanted all who crossed paths with her. The portrait exudes an air of elegance befitting the Victorian era while also capturing the vibrant energy that characterized Restoration England. This print not only immortalizes Nell Gwyn but also offers us a glimpse into an era defined by its opulence, scandals, and artistic brilliance. It serves as a reminder that even in tumultuous times, individuals like Nell could rise above their circumstances to become celebrated figures in history.

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