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Premium Framed Print : Plate 67. Running, 1872-85 (collotype on paper)
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Plate 67. Running, 1872-85 (collotype on paper)
3949996 Plate 67. Running, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.9x45.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume I, Males (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659432
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Athletic Early Motion Picture Sequence Frames Motion Runner Sequence Sequential Sprint Sprinter Sprinting Stop Motion B W Photo Black And White Photograph
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph, titled "Plate 67. Running" is a print of an iconic collotype created by Eadweard Muybridge between 1872 and 1885. The image measures 15.9x45.6 cm and is housed in the Addison Gallery of American Art at Phillips Academy in Andover, MA, USA. Part of Muybridge's groundbreaking series "Animal Locomotion" this particular plate showcases the movement of a male runner in a sequential manner. With its stop-motion frames capturing every stride, it serves as an early motion picture sequence that revolutionized scientific photography. The nakedness of the male subject adds to the raw intensity captured within this photograph. Stripped down to his essence, he embodies athleticism and power as he sprints with determination across the frame. Muybridge's meticulous study of movement through sequential images paved the way for advancements in both art and science. His work not only provided valuable insights into human locomotion but also laid the foundation for future developments in cinematography. As we gaze upon this mesmerizing print from Bridgeman Images' collection, we are transported back to a time when photography was still exploring its potential as a medium for capturing dynamic action. This piece stands as a testament to Muybridge's artistic vision and his significant contribution to our understanding of motion and its representation through visual arts.
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