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Premium Framed Print : The Chancellor of the Inquisition marking the Incorrigibles
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The Chancellor of the Inquisition marking the Incorrigibles
NCO190436 The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Edmunde Burke (1729-97) listing the English supporters of the French Revolution; dressed as Roman Catholic priest; ); English, out of copyright
Media ID 23356250
© Bridgeman Images
Betrayal Conservative Democracy Hanoverian Heretic Opposition Political Satire Recording Republicanism Sedition Treason
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Chancellor of the Inquisition marking the Incorrigibles
EDITORS COMMENTS
is a captivating and thought-provoking print that takes us back to 1793, during a time of political turmoil and fear of revolution. Created by James Gillray, this hand-coloured etching offers a satirical commentary on government repression and conservative ideologies. In this striking image, we see Edmunde Burke, dressed as a Roman Catholic priest, meticulously recording the names of English supporters of the French Revolution. The artist skillfully captures the essence of betrayal and treachery through his caricature-like portrayal. Every detail in this engraving serves as a powerful symbol: from Burke's stern expression to his quill pen poised above an open book labeled "Treason". The print speaks volumes about the prevailing atmosphere at that time - one filled with anxiety over republicanism and opposition to traditional values. It reflects society's deep-rooted fears regarding democracy and its potential consequences. Gillray's work not only showcases his artistic talent but also highlights his keen understanding of political satire. Through clever imagery and symbolism, he challenges viewers to question authority while shedding light on issues such as heresy, sedition, and governmental control. This particular piece is part of New College Oxford's collection - a testament to its historical significance. As we gaze upon it today, we are reminded that art has always been an influential medium for expressing dissenting opinions and challenging established norms.
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