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Premium Framed Print : BLACK JEWS IN HARLEM, 1929. Photographed in 1929
Framed Photos from Granger
BLACK JEWS IN HARLEM, 1929. Photographed in 1929
BLACK JEWS IN HARLEM, 1929.
Photographed in 1929
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 13137933
1929 Bass Bassist Black Cello Harlem Headscarf Judaism Unidentified
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph, titled "BLACK JEWS IN HARLEM, 1929" offers a rare glimpse into the vibrant cultural tapestry of early 20th century Harlem. Taken in 1929 by an unidentified photographer, this portrait showcases a group of African American men and women who proudly identify as Jews. The image captures the essence of diversity within the Jewish community during that time period. The subjects are dressed in their finest attire, with some wearing headscarves and others sporting traditional Jewish garments. Their expressions range from stoic to joyful, reflecting both individual personalities and collective pride. Set against the backdrop of a bustling city street in Harlem, this photograph serves as a testament to the rich history and resilience of Black Jews in America. It challenges preconceived notions about religious identity and highlights the intersectionality between race, culture, and faith. The inclusion of musical instruments adds another layer to this compelling visual narrative. A bassist stands prominently at the center while holding his instrument with confidence. This suggests that music played an integral role in fostering unity among these individuals. Overall, "BLACK JEWS IN HARLEM, 1929" is not just a snapshot frozen in time; it represents a powerful symbol of empowerment for marginalized communities striving for recognition and acceptance within society's diverse fabric.
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