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Premium Framed Print : HELL AND DAMNATION. Detail of mosaic, late 13th century, from cupola of Baptistry in Florence
Framed Photos from Granger
HELL AND DAMNATION. Detail of mosaic, late 13th century, from cupola of Baptistry in Florence
HELL AND DAMNATION.
Detail of mosaic, late 13th century, from cupola of Baptistry in Florence, Italy
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12410968
13th Century Damned Detail Evil Florence Hell Italy Mosaic Satan Ugly Baptistry Damnation
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Granger Art on Demand
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> Medieval Art
> Europe
> Italy
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> Europe
> Italy
> Tuscany
> Florence
EDITORS COMMENTS
This print showcases a mesmerizing detail of a late 13th-century mosaic from the cupola of the Baptistry in Florence, Italy. Titled "Hell and Damnation" this artwork transports us to an era where medieval art was used as a powerful tool to depict religious narratives. The intricate mosaic captures the essence of damnation with its vivid portrayal of evil and ugliness. Satan himself takes center stage, his menacing presence exuding malevolence. The artist's attention to detail is remarkable, as every contour and expression on the faces of the damned reflects their torment and despair. Located on the exterior walls of the Baptistry, this masterpiece serves as a reminder for all who enter or pass by. It symbolizes both fear and redemption, urging viewers to contemplate their actions in life and strive towards salvation. The use of mosaics during this period was not only an artistic choice but also served practical purposes. These colorful pieces were resistant to weathering, making them ideal for outdoor installations like this one in Florence. As we gaze upon this print, we are transported back in time - witnessing an awe-inspiring piece that continues to captivate audiences centuries later. Its historical significance cannot be understated; it represents a crucial moment in Italian art history when religion played a central role in shaping society's beliefs and values.
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