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Premium Framed Print : The Agitation Against Ritualism: Mr. Kensit's Violent Protest in a West End Church, c1900. Creator: Arthur Herbert Buckland

The Agitation Against Ritualism: Mr. Kensit's Violent Protest in a West End Church, c1900. Creator: Arthur Herbert Buckland



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The Agitation Against Ritualism: Mr. Kensit's Violent Protest in a West End Church, c1900. Creator: Arthur Herbert Buckland

The Agitation Against Ritualism: Mr. Kensit's Violent Protest in a West End Church, c1898, (c1900)....Mr. John Kensit, a publisher of Paternoster Square...stood forth and displayed his evangelical zeal by supervising the services in certain churches which came under his critical displeasure as savouring of Papistical practices if not preaching Papistical dogma. Disgraceful scenes occurred...he was on one occasion charged with willfully disturbing a congregation...by seizing a cross, and walking down the church calling out, "We are Protestants. It is nothing but idolatry!" - an assertion of opinion that cost him £3 or seven days [in prison], with leave to appeal'. From "Cassell's History of England, Vol. IX". [Cassell and Company, Limited, London, Paris, New York & Melbourne]

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Media ID 36339024

© The Print Collector/Heritage Images

Bookseller Campaigner Cassell And Co Cassell Co Cassell Company Cassells Cassells History Of England Clergy Co Cassell Complaining Cross Crosses Crucifix Parson Pointing Protest Protestantism Protester Protesting Protestor Publisher Shocking Vicar Cassell And Company Ltd Outrage Outraged


14"x16" Premium Frame

Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")

Estimated Product Size is 35.6cm x 40.6cm (14" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Arthur Herbert Church

> Arts > Artists > W > John White

> Arts > Literature

> Europe > United Kingdom > England > London > Towns > Church End

> Europe > United Kingdom > England > London > Towns > New Cross

> Europe > United Kingdom > England > York


EDITORS COMMENTS
This thought-provoking photograph, titled 'The Agitation Against Ritualism: Mr. Kensit's Violent Protest in a West End Church,' was captured by renowned English photographer Arthur Herbert Buckland around the turn of the 20th century. The image depicts a heated moment during a religious controversy that unfolded in the late 19th century, as evidenced by the caption from 'Cassell's History of England, Vol. IX' inscribed on the print. At the center of the scene is Mr. John Kensit, a determined and vocal publisher from Paternoster Square, who took it upon himself to challenge certain churches for what he perceived as Papistical practices or the preaching of Papistical dogma. The image captures a moment of intense confrontation, as Kensit, with a bold and assertive gesture, seizes a cross and calls out, "We are Protestants. It is nothing but idolatry!" His outspokenness led to several disgraceful scenes, including this instance where he was charged with disturbing a congregation. The cost of his conviction was a fine of £3, or seven days in prison, with the option to appeal. The photograph, which is engraved and presented in black and white, offers a glimpse into the religious tensions and debates that marked the late Victorian era. The image's stark contrasts, combined with the powerful hand gesture and intense expression on Kensit's face, make for a compelling and evocative visual representation of the era's religious and social climate.

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