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Premium Framed Print : The Bad Mothers (Le cattive madri), 1894
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The Bad Mothers (Le cattive madri), 1894
The Bad Mothers (Le cattive madri), 1894. Found in the Collection of O sterreichische Galerie Belvedere, Vienna
Heritage Images features heritage image collections
Media ID 15050241
© / Heritage-Images
Giovanni 1858 1899 österreichische Galerie Belvedere Schwitzerland Segantini Vienna Symbolism
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Bad Mothers (Le cattive madri), 1894" a remarkable painting by Giovanni Segantini. Housed in the esteemed Collection of Osterreichische Galerie Belvedere in Vienna, this fine art masterpiece is an exquisite example of landscape, mythology, allegory, and literature all beautifully intertwined. Painted with oil on canvas, Segantini's work depicts a group of women who embody the concept of "bad mothers". The artist skillfully captures their expressions and body language to convey a sense of sorrow and despair. Through symbolism and meticulous attention to detail, he explores the complexities of motherhood within society. Set against a stunning Swiss landscape backdrop, this painting invites viewers into a world where nature meets human emotion. Segantini's use of light and color adds depth to his portrayal while emphasizing the connection between these troubled mothers and their surroundings. As we admire this extraordinary piece from the late 19th century, it serves as a reminder that art has always been an avenue for exploring profound themes. Its presence in the Osterreichische Galerie Belvedere allows visitors to appreciate not only its artistic merit but also its historical significance.
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